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Today's Stichomancy for Ron Howard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and pretending to be on good terms with every songster of the grove.

As Ichabod jogged slowly on his way, his eye, ever open to every symptom of culinary abundance, ranged with delight over the treasures of jolly autumn. On all sides he beheld vast store of apples: some hanging in oppressive opulence on the trees; some gathered into baskets and barrels for the market; others heaped up in rich piles for the cider-press. Farther on he beheld great fields of Indian corn, with its golden ears peeping from their


The Legend of Sleepy Hollow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

The Pumpkinhead wanted to ride up the green marble steps and straight into the Scarecrow's presence; but the soldier would not permit that. So Jack dismounted, with much difficulty, and a servant led the Saw-Horse around to the rear while the Soldier with the Green Whiskers escorted the Pumpkinhead into the palace, by the front entrance.

The stranger was left in a handsomely furnished waiting room while the soldier went to announce him. It so happened that at this hour His Majesty was at leisure and greatly bored for want of something to do, so he ordered his visitor to be shown at once into his throne room.

Jack felt no fear or embarrassment at meeting the ruler of this magnificent city, for he was entirely ignorant of all worldly customs. But when he en-


The Marvelous Land of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Just Folks by Edgar A. Guest:

When I've laughed my way through summer, reap the biggest crop of oats. Laughter's good for any business, leastwise so it seems to me Never knew a smilin' feller but was busy as could be.

Sometimes sit an' think about it, ponderin' on the ways of life, Wonderin' why mortals gladly face the toil an care an' strife, Then I come to this conclusion--take it now for what it's worth It's the joy of laughter keeps us plodding on this stretch of earth. Men the fun o' life are seeking--that's the reason for the calf Spillin' mash upon his keeper--men are hungry for a laugh.

The Scoffer

If I had lived in Franklin's time I'm most afraid that I,


Just Folks
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

when one of my own Hexagonal Grandsons pleads as an excuse for his disobedience that a sudden change of the temperature has been too much for his Perimeter, and that I ought to lay the blame not on him but on his Configuration, which can only be strengthened by abundance of the choicest sweetmeats, I neither see my way logically to reject, nor practically to accept, his conclusions.

For my own part, I find it best to assume that a good sound scolding or castigation has some latent and strengthening influence on my Grandson's Configuration; though I own that I have no grounds for thinking so. At all events I am not alone in my way of extricating myself from this dilemma; for I find that many


Flatland: A Romance of Many Dimensions