| The first excerpt represents the past or something you must release, and is drawn from 1984 by George Orwell: 'They've got you too!' he cried.
'They got me a long time ago,' said O'Brien with a mild, almost regretful
irony. He stepped aside. From behind him there emerged a broad-chested
guard with a long black truncheon in his hand.
'You know this, Winston,' said O'Brien. 'Don't deceive yourself. You did
know it--you have always known it.'
Yes, he saw now, he had always known it. But there was no time to think of
that. All he had eyes for was the truncheon in the guard's hand. It might
fall anywhere; on the crown, on the tip of the ear, on the upper arm, on
the elbow----
The elbow! He had slumped to his knees, almost paralysed, clasping the
 1984 |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from My Antonia by Willa Cather: and hid in Antonia's feather-bed. Mary was not far behind:
she came right up to the door and made us feel how sharp her blade was,
showing us very graphically just what she meant to do to Lena.
Mrs. Shimerda, leaning out of the window, enjoyed the situation keenly,
and was sorry when Antonia sent Mary away, mollified by an apronful
of bottle-tomatoes. Lena came out from Tony's room behind the kitchen,
very pink from the heat of the feathers, but otherwise calm.
She begged Antonia and me to go with her, and help get her cattle together;
they were scattered and might be gorging themselves in somebody's cornfield.
`Maybe you lose a steer and learn not to make somethings with your eyes
at married men,' Mrs. Shimerda told her hectoringly.
 My Antonia |
The third excerpt represents the future or something you must embrace, and is drawn from Laches by Plato: discover anything. But Nicias and Laches are older and richer than he is:
they have had teachers, and perhaps have made discoveries; and he would
have trusted them entirely, if they had not been diametrically opposed.
Lysimachus here proposes to resign the argument into the hands of the
younger part of the company, as he is old, and has a bad memory. He
earnestly requests Socrates to remain;--in this showing, as Nicias says,
how little he knows the man, who will certainly not go away until he has
cross-examined the company about their past lives. Nicias has often
submitted to this process; and Laches is quite willing to learn from
Socrates, because his actions, in the true Dorian mode, correspond to his
words.
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