| The first excerpt represents the past or something you must release, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: "There is quite an extensive estate here," he said, "not yet
cut up by the builder. It is well wooded on one side,
and there appears to be a pool lower down."
The road was a quiet one, and we plainly heard the tread--
quite unmistakable--of an approaching policeman.
Smith continued to peer through the hole in the fence,
until the officer drew up level with us. Then:
"Does this piece of ground extend down to the village,
constable?" he inquired.
Quite willing for a chat, the man stopped, and stood with his thumbs
thrust in his belt.
 The Insidious Dr. Fu-Manchu |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pierre Grassou by Honore de Balzac: the artist. Virginie became the color of her hair, lowered her eyes,
and turned aside her head to look at the sketches. Pierre Grassou
thought these little affectations charming, Virginie had such grace;
happily she didn't look like her father or her mother; but whom did
she look like?
During this sitting there were little skirmishes between the family
and the painter, who had the audacity to call pere Vervelle witty.
This flattery brought the family on the double-quick to the heart of
the artist; he gave a drawing to the daughter, and a sketch to the
mother.
"What! for nothing?" they said.
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The third excerpt represents the future or something you must embrace, and is drawn from Walking by Henry David Thoreau: Wordsworth's servant to show him her master's study, she
answered, "Here is his library, but his study is out of doors."
Living much out of doors, in the sun and wind, will no doubt
produce a certain roughness of character--will cause a thicker
cuticle to grow over some of the finer qualities of our nature,
as on the face and hands, or as severe manual labor robs the
hands of some of their delicacy of touch. So staying in the
house, on the other hand, may produce a softness and smoothness,
not to say thinness of skin, accompanied by an increased
sensibility to certain impressions. Perhaps we should be more
susceptible to some influences important to our intellectual and
 Walking |