Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Rosie O'Donnell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

"Obviously," I answered, for it was Fortnum-Roscoe's Dream States, and the title was on the cover. He hung silent for a space as if he sought words. "Yes," he said at last, "but they tell you nothing." I did not catch his meaning for a second.

"They don't know," he added.

I looked a little more attentively at his face.

"There are dreams," he said, "and dreams."

That sort of proposition I never dispute.

"I suppose--" he hesitated. "Do you ever dream? I mean vividly."

"I dream very little," I answered. "I doubt if I have three vivid dreams in a year."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

entered Lineland, taking up the same position as before.

But the Monarch replied, "If you were a Man of sense -- though, as you appear to have only one voice I have little doubt you are not a Man but a Woman -- but, if you had a particle of sense, you would listen to reason. You ask me to believe that there is another Line besides that which my senses indicate, and another motion besides that of which I am daily conscious. I, in return, ask you to describe in words or indicate by motion that other Line of which you speak. Instead of moving, you merely exercise some magic art of vanishing and returning to sight; and instead of any lucid description of your new World, you simply tell me


Flatland: A Romance of Many Dimensions
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Human Drift by Jack London:

dig in and pull. They rollicked along on the levels and galloped down the hills, but when they struck an up-grade and felt the weight of the breaking-cart, they stopped and turned around and looked at me. But I passed them, and my troubles began. Milda was fourteen years old, an unadulterated broncho, and in temperament was a combination of mule and jack-rabbit blended equally. If you pressed your hand on her flank and told her to get over, she lay down on you. If you got her by the head and told her to back, she walked forward over you. And if you got behind her and shoved and told her to "Giddap!" she sat down on you. Also, she wouldn't walk. For endless weary miles I strove

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

and let them eat with the family. From us they get a mark and a half to two marks a day, and as many potatoes as they can eat. The women get less, not because they work less, but because they are women and must not be encouraged. The overseer lives with them, and has a loaded revolver in his pocket and a savage dog at his heels. <112>

For the first week or two after their arrival, the foresters and other permanent officials keep guard at night over the houses they are put into. I suppose they find it sleepy work; for certain it is that spring after spring the same thing happens, fifty of them getting away in spite of all our precautions,


Elizabeth and her German Garden