| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adieu by Honore de Balzac: yellowing, the poor lover would sit at her feet, looking into her eyes
as long as she would let him, hoping ever that the light that was in
them would become intelligent. Sometimes the thought deluded him that
he saw those hard immovable rays softening, vibrating, living, and he
cried out,--
"Stephanie! Stephanie! thou hearest me, thou seest me!"
But she listened to that cry as to a noise, the soughing of the wind
in the tree-tops, or the lowing of the cow on the back of which she
climbed. Then the colonel would wring his hands in despair,--despair
that was new each day.
One evening, under a calm sky, amid the silence and peace of that
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Scaramouche by Rafael Sabatini: have never lied. And I swear to you here and now, by my every hope
of Heaven, that what I say is true. I loathed the thing I did.
Yet for my own sake and the sake of my order I must do it. Ask
yourself whether M. de Vilmorin would have hesitated for a moment
if by procuring my death he could have brought the Utopia of his
dreams a moment nearer realization.
"After that. You determined that the sweetest vengeance would be
to frustrate my ends by reviving in yourself the voice that I had
silenced, by yourself carrying forward the fantastic apostleship
of equality that was M. de Vilmorin's. You lacked the vision that
would have shown you that God did not create men equals. Well,
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