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Today's Stichomancy for Salma Hayek

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Phaedo by Plato:

of the highest virtue and wisdom. For the soul when on her progress to the world below takes nothing with her but nurture and education; and these are said greatly to benefit or greatly to injure the departed, at the very beginning of his journey thither.

For after death, as they say, the genius of each individual, to whom he belonged in life, leads him to a certain place in which the dead are gathered together, whence after judgment has been given they pass into the world below, following the guide, who is appointed to conduct them from this world to the other: and when they have there received their due and remained their time, another guide brings them back again after many revolutions of ages. Now this way to the other world is not, as Aeschylus

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Battle of the Books by Jonathan Swift:

Preferred before a crowd of beaux, So bright a nymph to come unsought, Such wonder by his merit wrought; 'Tis merit must with her prevail, He never know her judgment fail. She noted all she ever read, And had a most discerning head. 'Tis an old maxim in the schools, That vanity's the food of fools; Yet now and then your men of wit Will condescend to take a bit.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from On Horsemanship by Xenophon:

master himself may have a man to help him on to horseback without trouble, or, if he so wish, be able to oblige a friend with a man to mount him.[8]

[7] Cf. "Anab." IV. iv. 4; "Hipparch," i. 17; "Cyrop." VII. i. 38.

[8] An {anaboleus}. Cf. Plut. "C. Gracch." 7.

The one best precept--the golden rule--in dealing with a horse is never to approach him angrily. Anger is so devoid of forethought that it will often drive a man to do things which in a calmer mood he will regret.[9] Thus, when a horse is shy of any object and refuses to approach it, you must teach him that there is nothing to be alarmed at, particularly if he be a plucky animal;[10] or, failing that, touch


On Horsemanship
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

had in her heart another love which she alternately remembered and forgot. In a moment Henri was assailed by a thousand contradictory thoughts. This girl became a mystery for him; but as he contemplated her with the scientific attention of the /blase/ man, famished for new pleasures, like that Eastern king who asked that a pleasure should be created for him,--a horrible thirst with which great souls are seized, --Henri recognized in Paquita the richest organization that Nature had ever deigned to compose for love. The presumptive play of this machinery, setting aside the soul, would have frightened any other man than Henri; but he was fascinated by that rich harvest of promised pleasures, by that constant variety in happiness, the dream of every


The Girl with the Golden Eyes