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Today's Stichomancy for Samuel L. Jackson

The first excerpt represents the past or something you must release, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

Meantime, Sally had several times thrown out a feeler--that is, a hint that he would like to know. Aleck had ignored the hints. Sally now resolved to brace up and risk a frontal attack. So he squarely proposed to disguise himself and go to Tilbury's village and surreptitiously find out as to the prospects. Aleck put her foot on the dangerous project with energy and decision. She said:

"What can you be thinking of? You do keep my hands full! You have to be watched all the time, like a little child, to keep you from walking into the fire. You'll stay right where you are!"

"Why, Aleck, I could do it and not be found out--I'm certain of it."

The second excerpt represents the present or the deciding factor of the moment, and is drawn from King Henry VI by William Shakespeare:

The tide of this most renowned duke, And in my conscience do repute his grace The rightful heir to England's royal seat.

KING. Hast thou not sworn allegiance unto me?

SALISBURY. I have.

KING. Canst thou dispense with heaven for such an oath?

SALISBURY. It is great sin to swear unto a sin,

The third excerpt represents the future or something you must embrace, and is drawn from In Darkest England and The Way Out by General William Booth:

without enough of that joyous, cheerful spirit of love which is its main spring. Nobody can become acquainted with our soldiers in any land, without being almost immediately struck with their extraordinary gladness, and this joy is in itself one of the most infectious and influential elements of the Army's success. But if this be so, amid the comparatively well to do, judge of what its results are likely to be amongst the poorest and most wretched! To those who have never known bright days, the mere sight of a happy face is as it were a revelation and inspiration in one.

6. But the Army's success does not come with magical rapidity; it depends, like that of all real work, upon infinite perseverance.


In Darkest England and The Way Out