The first excerpt represents the past or something you must release, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart: HOME. WE ARE GOING HOME!
Mademoiselle has the meazles.
JANUARY 13TH. The Familey managed to restrain its ecstacy on seeing
me today. The house is full of people, as they are having a
Dinner-Dance tonight. Sis had moved into my room, to let one of the
visitors have hers, and she acted in a very unfilial manner when
she came home and found me in it.
"Well!" she said. "Expelled at last?"
"Not at all," I replied in a lofty manner. "I am here through no
fault of my own. And I'd thank you to have Hannah take your clothes
off my bed."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Lesson of the Master by Henry James: immature girl encountered at a country-house? Yet precisely this
was part of the sentiment he himself had just expressed: he would
make way completely for the poor peccable great man not because he
didn't read him clear, but altogether because he did. His
consideration was half composed of tenderness for superficialities
which he was sure their perpetrator judged privately, judged more
ferociously than any one, and which represented some tragic
intellectual secret. He would have his reasons for his psychology
e fleur de peau, and these reasons could only be cruel ones, such
as would make him dearer to those who already were fond of him.
"You excite my envy. I have my reserves, I discriminate - but I
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The third excerpt represents the future or something you must embrace, and is drawn from The Foolish Virgin by Thomas Dixon: concrete bridges over miles of beautiful waters was one
of unalloyed joy. They had passed over this stretch of
marvelous engineering at night on their trip down and
had not realized its wonders. For hours the train
seemed to be flying on velvet wings through the ocean.
She sat beside her lover and held his hand. In
spite of her enthusiasm, he would doze. At every turn
of entrancing view she would pinch his arm:
"Look, Jim! Look!"
He would lift his heavy eyelids, grunt good-
naturedly and doze again.
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