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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tapestried Chamber by Walter Scott:

Germain's; here one who had taken arms for William at the Revolution; and there a third that had thrown his weight alternately into the scale of Whig and Tory.

While lord Woodville was cramming these words into his guest's ear, "against the stomach of his sense," they gained the middle of the gallery, when he beheld General Browne suddenly start, and assume an attitude of the utmost surprise, not unmixed with fear, as his eyes were suddenly caught and riveted by a portrait of an old lady in a sacque, the fashionable dress of the end of the seventeenth century.

"There she is!" he exclaimed--"there she is, in form and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Summer by Edith Wharton:

opening her blue eyes somewhere far off on glories greater than the glories of Nettleton.

"How I hate everything!" she said again.

Half way down the street she stopped at a weak-hinged gate. Passing through it, she walked down a brick path to a queer little brick temple with white wooden columns supporting a pediment on which was inscribed in tarnished gold letters: "The Honorius Hatchard Memorial Library, 1832."

Honorius Hatchard had been old Miss Hatchard's great- uncle; though she would undoubtedly have reversed the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An International Episode by Henry James:

blue sky. Here, outside, in the light and the shade and the heat, there was a great tinkling of the bells of innumerable streetcars, and a constant strolling and shuffling and rustling of many pedestrians, a large proportion of whom were young women in Pompadour-looking dresses. Within, the place was cool and vaguely lighted, with the plash of water, the odor of flowers, and the flitting of French waiters, as I have said, upon soundless carpets.

"It's rather like Paris, you know," said the younger of our two travelers."

"It's like Paris--only more so," his companion rejoined.

"I suppose it's the French waiters," said the first speaker. "Why don't they have French waiters in London?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Redheaded Outfield by Zane Grey:

and lined the ball to second. Sheldon came tearing for the bag, caught the ball on the run, and with a violent stop and wrench threw it like a bullet to first base. Fast as Kane was, the ball beat him ten feet. A triple play!

The players of both teams cheered, but the audience, slower to grasp the complex and intricate points, needed a long moment to realize what had happened. They needed another to divine that Carroll had anticipated Kane's intention to bunt, had left his position as the ball was


The Redheaded Outfield