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Today's Stichomancy for Sarah Jessica Parker

The first excerpt represents the past or something you must release, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

was looking haggard and distrait. The oogly husband was still in the dining room, finishing the beer and punch, of which he had already taken too much.

"A tiny apartment we have taken," said Frau Nirlanger, softly. "It is better so. Then I shall have a little housework, a little cooking, a little marketing to keep me busy and perhaps happy." Her hand closed over mine. "But that shall us not separate," she pleaded. "Without you to make me sometimes laugh what should I then do? You will bring her often to our little apartment, not?" she went on, turning appealingly to Von

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Prufrock/Other Observations by T. S. Eliot:

Of insidious intent To lead you to an overwhelming question ... Oh, do not ask, "What is it?" Let us go and make our visit.

In the room the women come and go Talking of Michelangelo.

The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys,


Prufrock/Other Observations
The third excerpt represents the future or something you must embrace, and is drawn from The Monster Men by Edgar Rice Burroughs:

of his companions to insure the girl's greater safety.

Now and then patches of moonlight filtering through occasional openings in the leafy roofing revealed to Virginia the battle that was being waged for possession of her, and once, when Number Three turned toward her after disposing of a new assailant, she was horrified to see the grotesque and terrible face of the creature. A moment later she caught sight of Number Twelve's hideous face. She was appalled.

Could it be that she had been rescued from the Malay to fall into the hands of creatures equally heartless


The Monster Men