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Today's Stichomancy for Sarah Michelle Gellar

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Meno by Plato:

unlike that which Locke exercised upon Berkeley and Berkeley upon Hume himself. All three were both sceptical and ideal in almost equal degrees. Neither they nor their predecessors had any true conception of language or of the history of philosophy. Hume's paradox has been forgotten by the world, and did not any more than the scepticism of the ancients require to be seriously refuted. Like some other philosophical paradoxes, it would have been better left to die out. It certainly could not be refuted by a philosophy such as Kant's, in which, no less than in the previously mentioned systems, the history of the human mind and the nature of language are almost wholly ignored, and the certainty of objective knowledge is transferred to the subject; while absolute truth is reduced to a figment,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

sometimes those of his favourites; he will permit some to please him who can never serve him; he will discover in those whom he loves qualities which in reality they do not possess, and to those from whom he receives pleasure he will in his turn endeavour to give it. Thus will recommendations sometimes prevail which were purchased by money or by the more destructive bribery of flattery and servility.

"He that hath much to do will do something wrong, and of that wrong must suffer the consequences, and if it were possible that he should always act rightly, yet, when such numbers are to judge of his conduct, the bad will censure and obstruct him by malevolence

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Women by Louisa May Alcott:

it down at a door near by, and walk away, saying, with a kind nod and a foreign accent, "It goes better so. The little back is too young to haf such heaviness."

Wasn't it good of him? I like such things, for as Father says, trifles show character. When I mentioned it to Mrs. K., that evening, she laughed, and said, "That must have been Professor Bhaer, he's always doing things of that sort."

Mrs. K. told me he was from Berlin, very learned and good, but poor as a church mouse, and gives lessons to support himself and two little orphan nephews whom he is educating here, according to the wishes of his sister, who married an American. Not


Little Women
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Altar of the Dead by Henry James:

much more than she had taken from him. He argued with her again, told her she could now have the altar to herself; but she only shook her head with pleading sadness, begging him not to waste his breath on the impossible, the extinct. Couldn't he see that in relation to her private need the rites he had established were practically an elaborate exclusion? She regretted nothing that had happened; it had all been right so long as she didn't know, and it was only that now she knew too much and that from the moment their eyes were open they would simply have to conform. It had doubtless been happiness enough for them to go on together so long. She was gentle, grateful, resigned; but this was only the form of a deep