| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: tobacco, and held the stem between her fingers, as doubtful
whether to thrust it into her own mouth or Feathertop's.
"Poor Feathertop!" she continued. "I could easily give him
another chance and send him forth again tomorrow. But no; his
feelings are too tender, his sensibilities too deep. He seems to
have too much heart to bustle for his own advantage in such an
empty and heartless world. Well! well! I'll make a scarecrow of
him after all. 'Tis an innocent and useful vocation, and will
suit my darling well; and, if each of his human brethren had as
fit a one, 't would be the better for mankind; and as for this
pipe of tobacco, I need it more than he."
 Mosses From An Old Manse |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herodias by Gustave Flaubert: ears was puffed out like a peruke. As they stood quietly eating, they
switched their tails gently to and fro. The proconsul regarded them in
silent admiration.
They were indeed wonderful animals; supple as serpents, light as
birds. They were trained to gallop rapidly, following the arrow of the
rider, and dash into the midst of a group of the enemy, overturning
men and biting them savagely as they fell. They were sure-footed among
rocky passes, and would jump fearlessly over yawning chasms; and,
while ready to gallop across the plains a whole day without tiring,
they would stop instantly at the command of the rider.
As soon as Jacim entered their quarters, they trotted up to him, as
 Herodias |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato: any rate it is couched in language which is very rarely obscure. On the
other hand, the greatest writers of Greece, Thucydides, Plato, Aeschylus,
Sophocles, Pindar, Demosthenes, are generally those which are found to be
most difficult and to diverge most widely from the English idiom. The
translator will often have to convert the more abstract Greek into the more
concrete English, or vice versa, and he ought not to force upon one
language the character of another. In some cases, where the order is
confused, the expression feeble, the emphasis misplaced, or the sense
somewhat faulty, he will not strive in his rendering to reproduce these
characteristics, but will re-write the passage as his author would have
written it at first, had he not been 'nodding'; and he will not hesitate to
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau: never of itself furthered any enterprise, but by the
alacrity with which it got out of its way. It does not keep
the country free. It does not settle the West. It does not
educate. The character inherent in the American people has
done all that has been accomplished; and it would have done
somewhat more, if the government had not sometimes got in
its way. For government is an expedient, by which men would
fain succeed in letting one another alone; and, as has been
said, when it is most expedient, the governed are most let
alone by it. Trade and commerce, if they were not made of
india-rubber, would never manage to bounce over obstacles
 On the Duty of Civil Disobedience |