| The first excerpt represents the past or something you must release, and is drawn from The Son of Tarzan by Edgar Rice Burroughs: The white man and three of his black henchmen were coming straight
across the clearing toward the tent. What was she to do? She slipped
the photograph into her waist. Quickly she slipped a cartridge
into each of the chambers of the revolver. Then she backed toward
the end of the tent, keeping the entrance covered by her weapon.
The man stopped outside, and Meriem could hear Malbihn profanely
issuing instructions. He was a long time about it, and while he
talked in his bellowing, brutish voice, the girl sought some
avenue of escape. Stooping, she raised the bottom of the canvas
and looked beneath and beyond. There was no one in sight upon
that side. Throwing herself upon her stomach she wormed beneath
 The Son of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: him unexpectedly?"
"I certainly do think so. And she might show her feelings in a
way which she would ever afterward regret."
"You think, then, that she --"
Sophia gave her sister a look. Amelia fled after Eudora and the
baby-carriage. She overtook her at the gate. She laid her hand
on Eudora's arm, draped with India shawl.
"Eudora!" she gasped.
Eudora turned her serene face and regarded her questioningly.
"Eudora," said Amelia, "have you heard of anybody's coming to
stay at the inn lately?"
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The third excerpt represents the future or something you must embrace, and is drawn from The Devil's Dictionary by Ambrose Bierce: Haggard, morose, and unaffable -- wild!
See how he glares through the bars of his cell!
With Citizen Mendicant all is not well.
Why did they put him there, father?
Because
Obeying his belly he struck at the laws.
His belly?
Oh, well, he was starving, my boy --
A state in which, doubtless, there's little of joy.
No bite had he eaten for days, and his cry
Was "Bread!" ever "Bread!"
 The Devil's Dictionary |