Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Shigeru Miyamoto

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pierre Grassou by Honore de Balzac:

the shoes, no one knows.

Following these vegetable parents was a young asparagus, who presented a tiny head with smoothly banded hair of the yellow-carroty tone that a Roman adores, long, stringy arms, a fairly white skin with reddish spots upon it, large innocent eyes, and white lashes, scarcely any brows, a leghorn bonnet bound with white satin and adorned with two honest bows of the same satin, hands virtuously red, and the feet of her mother. The faces of these three beings wore, as they looked round the studio, an air of happiness which bespoke in them a respectable enthusiasm for Art.

"So it is you, monsieur, who are going to take our likenesses?" said

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Extracts From Adam's Diary by Mark Twain:

It is not a kangaroo. No, for it supports itself by holding to her finger, and thus goes a few steps on its hind legs, and then falls down. It is probably some kind of a bear; and yet it has no tail--as yet--and no fur, except on its head. It still keeps on growing--that is a curious circumstance, for bears get their growth earlier than this. Bears are dangerous--since our catastrophe--and I shall not be satisfied to have this one prowling about the place much longer without a muzzle on. I have offered to get her a kangaroo if she would let this one go, but it did no good--she is determined to run us into all sorts of foolish risks, I think. She was not like this before she lost her mind.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Unconscious Comedians by Honore de Balzac:

sheep whose throat he intends to cut. But whether the rustic comprehended the stab of that glance or not, he went on to say (so Massol told me), 'I've as much ambition as other men. I will never go back to my native place, if I ever do go back, unless I am a rich man. Paris is the antechamber of Paradise. They tell me that you who write the newspapers can make, as they say, "fine weather and foul"; that is, you have things all your own way, and it's enough to ask your help to get any place, no matter what, under government. Now, though I have faculties, like others, I know myself: I have no education; I don't know how to write, and that's a misfortune, for I have ideas. I am not seeking, therefore, to be your rival; I judge myself, and I know I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Atheist's Mass by Honore de Balzac:

value, and merit the position I should hold as soon as I could escape from nothingness. I consumed more oil than bread; the light I burned during these endless nights cost me more than food. It was a long duel, obstinate, with no sort of consolation. I found no sympathy anywhere. To have friends, must we not form connections with young men, have a few sous so as to be able to go tippling with them, and meet them where students congregate? And I had nothing! And no one in Paris can understand that nothing means NOTHING. When I even thought of revealing my beggary, I had that nervous contraction of the throat which makes a sick man believe that a ball rises up from the oesophagus into