| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Unseen World and Other Essays by John Fiske: not attempt to give us the complete biography of his character;
he must depict only those situations which stand in direct
subordination to the grand climax or denoument. As a final
result, therefore. Taine concludes that a work of art is a
concrete representation of the relations existing between the
parts of an object, with the intent to bring the essential or
dominating character thereof into prominence.
We should overrun our limits if we were to follow out the
admirable discussion in which M. Taine extends this definition to
architecture and music. These closely allied arts are
distinguished from poetry, painting, and sculpture, by appealing
 The Unseen World and Other Essays |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A House of Pomegranates by Oscar Wilde: steps of bright porphyry, and wander from room to room, and from
corridor to corridor, like one who was seeking to find in beauty an
anodyne from pain, a sort of restoration from sickness.
Upon these journeys of discovery, as he would call them - and,
indeed, they were to him real voyages through a marvellous land, he
would sometimes be accompanied by the slim, fair-haired Court
pages, with their floating mantles, and gay fluttering ribands; but
more often he would be alone, feeling through a certain quick
instinct, which was almost a divination, that the secrets of art
are best learned in secret, and that Beauty, like Wisdom, loves the
lonely worshipper.
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