| The first excerpt represents the past or something you must release, and is drawn from Emma by Jane Austen: is as strong a likeness of his cockade as you would wish to see.
He had nestled down his head most conveniently. That's very like.
I am rather proud of little George. The corner of the sofa is very good.
Then here is my last,"--unclosing a pretty sketch of a gentleman
in small size, whole-length-- "my last and my best--my brother,
Mr. John Knightley. --This did not want much of being finished, when I
put it away in a pet, and vowed I would never take another likeness.
I could not help being provoked; for after all my pains, and when I
had really made a very good likeness of it--(Mrs. Weston and I
were quite agreed in thinking it very like)--only too handsome--too
flattering--but that was a fault on the right side-- after
 Emma |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Albert Savarus by Honore de Balzac: "I do not choose to be the only sufferer," she said to her rival, "for
one has been as ruthless as the other."
After enjoying the dismay stamped on the Duchess' beautiful face,
Rosalie went away; she went out no more, and returned to Besancon with
her mother.
Mademoiselle de Watteville, who lived alone on her estate of les
Rouxey, riding, hunting, refusing two or three offers a year, going to
Besancon four or five times in the course of the winter, and busying
herself with improving her land, was regarded as a very eccentric
personage. She was one of the celebrities of the Eastern provinces.
Madame de Soulas has two children, a boy and a girl, and she has grown
 Albert Savarus |
The third excerpt represents the future or something you must embrace, and is drawn from The Battle of the Books by Jonathan Swift: others is wholly employed in pleasing themselves. This makes the
great distinction between virtue and vice. Religion is the best
motive of all actions, yet religion is allowed to be the highest
instance of self-love.
Old men view best at a distance with the eyes of their
understanding as well as with those of nature.
Some people take more care to hide their wisdom than their folly.
Anthony Henley's farmer, dying of an asthma, said, "Well, if I can
get this breath once OUT, I'll take care it never got IN again."
The humour of exploding many things under the name of trifles,
fopperies, and only imaginary goods, is a very false proof either
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