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Today's Stichomancy for Simon Cowell

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

life to have saved Tarzan could he have known of the danger which confronted his friend? You will doubt it. Anyone at all familiar with elephants will doubt it. Englishmen who have hunted much with elephants in India will tell you that they never have heard of an instance in which one of these animals has gone to the aid of a man in danger, even though the man had often befriended it. And so it is to be doubted that Tantor would have attempted to overcome his instinctive fear of the black men in an effort to succor Tarzan.

The screams of the infuriated villagers came faintly to


The Jungle Tales of Tarzan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walden by Henry David Thoreau:

if that is done as handsomely; yes, even if it were the parish church itself. Hardly a man takes a half-hour's nap after dinner, but when he wakes he holds up his head and asks, "What's the news?" as if the rest of mankind had stood his sentinels. Some give directions to be waked every half-hour, doubtless for no other purpose; and then, to pay for it, they tell what they have dreamed. After a night's sleep the news is as indispensable as the breakfast. "Pray tell me anything new that has happened to a man anywhere on this globe" -- and he reads it over his coffee and rolls, that a man has had his eyes gouged out this morning on the Wachito River; never dreaming the while that he lives in the dark unfathomed mammoth cave


Walden
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain:

scuttle, either for looks or for wear, or to wipe your hands on; next you belt on your sword; then you put your stove-pipe joints onto your arms, your iron gauntlets onto your hands, your iron rat-trap onto your head, with a rag of steel web hitched onto it to hang over the back of your neck -- and there you are, snug as a candle in a candle-mould. This is no time to dance. Well, a man that is packed away like that is a nut that isn't worth the cracking, there is so little of the meat, when you get down to it, by comparison with the shell.


A Connecticut Yankee in King Arthur's Court
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

tremendous black mane. What his teeth were like you can see--look there, pretty big ones, ain't they? Altogether he was a magnificent animal, and as I lay sprawling on the fore-tongue of the waggon, it occurred to me that he would look uncommonly well in a cage. He stood there by the carcass of poor Kaptein, and deliberately disembowelled him as neatly as a butcher could have done. All this while I dared not move, for he kept lifting his head and keeping an eye on me as he licked his bloody chops. When he had cleaned Kaptein out he opened his mouth and roared, and I am not exaggerating when I say that the sound shook the waggon. Instantly there came back an answering roar.

"'Heavens!' I thought, 'there is his mate.'


Long Odds