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Today's Stichomancy for Soren Kierkegaard

The first excerpt represents the past or something you must release, and is drawn from Journey to the Center of the Earth by Jules Verne:

complete darkness reigned beneath those giants; they formed settlements of domes placed in close array like the round, thatched roofs of a central African city.

Yet I wanted to penetrate farther underneath, though a chill fell upon me as soon as I came under those cellular vaults. For half an hour we wandered from side to side in the damp shades, and it was a comfortable and pleasant change to arrive once more upon the sea shore.

But the subterranean vegetation was not confined to these fungi. Farther on rose groups of tall trees of colourless foliage and easy to recognise. They were lowly shrubs of earth, here attaining


Journey to the Center of the Earth
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

this time in daylight.

Eliza was in a frenzy of fear. She clutched at my sleeve when I went close to her, and refused to let go until she had told her story. Coming just after the fire, the household was demoralized, and it was no surprise to me to find Alex and the under-gardener struggling down-stairs with a heavy trunk between them.

"I didn't want to do it, Miss Innes," Alex said. "But she was so excited, I was afraid she would do as she said--drag it down herself, and scratch the staircase."

I was trying to get my bonnet off and to keep the maids quiet at


The Circular Staircase
The third excerpt represents the future or something you must embrace, and is drawn from Tanglewood Tales by Nathaniel Hawthorne:

Minotaur or the king! Take them away, guards; and let this free-spoken youth be the Minotaur's first morsel."

Near the king's throne (though I had no time to tell you so before) stood his daughter Ariadne. She was a beautiful and tender-hearted maiden, and looked at these poor doomed captives with very different feelings from those of the iron-breasted King Minos. She really wept indeed, at the idea of how much human happiness would be needlessly thrown away, by giving so many young people, in the first bloom and rose blossom of their lives, to be eaten up by a creature who, no doubt, would have preferred a fat ox, or even a large pig, to the plumpest of


Tanglewood Tales