| The first excerpt represents the past or something you must release, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: its own way, and go whither it would and come when
it pleased, in time of war, and be utterly swell and
independent. This would make that regiment the
heart's desire of all the nobility, and they would all
be satisfied and happy. Then we would make up the
rest of the standing army out of commonplace materi-
als, and officer it with nobodies, as was proper --
nobodies selected on a basis of mere efficiency -- and
we would make this regiment toe the line, allow it no
aristocratic freedom from restraint, and force it to do
all the work and persistent hammering, to the end that
 A Connecticut Yankee in King Arthur's Court |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Narrative of the Life of Frederick Douglass: An American Slave by Frederick Douglass: flict the severest punishment, artful enough to de-
scend to the lowest trickery, and obdurate enough to
be insensible to the voice of a reproving conscience.
He was, of all the overseers, the most dreaded by
the slaves. His presence was painful; his eye flashed
confusion; and seldom was his sharp, shrill voice
heard, without producing horror and trembling in
their ranks.
Mr. Gore was a grave man, and, though a young
man, he indulged in no jokes, said no funny words,
 The Narrative of the Life of Frederick Douglass: An American Slave |
The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp: In such weather I would be able to wander round as I pleased,
without the least risk of being seen by or meeting any cousins,
and it was after all the garden that lay nearest my heart.
What a delight it would be to creep into it unobserved,
and revisit all the corners I so well remembered,
and slip out again and get away safely without any need
of explanations, assurances, protestations, displays of affection,
without any need, in <71> a word, of that exhausting form
of conversation, so dear to relations, known as Redensarten!
The mist tempted me. I think if it had been a fine
day I would have gone soberly to the Gasthof and written
 Elizabeth and her German Garden |