| The first excerpt represents the past or something you must release, and is drawn from The Faith of Men by Jack London: hunger, the torture of thirst, the torture of fire, and, worst of
all, the torture of music.
Like the rest of his kind, he did not enjoy music. It gave him
exquisite anguish, racking him nerve by nerve, and ripping apart
every fibre of his being. It made him howl, long and wolf-life, as
when the wolves bay the stars on frosty nights. He could not help
howling. It was his one weakness in the contest with Leclere, and
it was his shame. Leclere, on the other hand, passionately loved
music--as passionately as he loved strong drink. And when his soul
clamoured for expression, it usually uttered itself in one or the
other of the two ways, and more usually in both ways. And when he
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Golden Threshold by Sarojini Naidu: Tameless, with the bold falcon's agile grace,
And the lithe tiger's sinuous majesty.
With frugal skill her simple wants she tends,
She folds her tawny heifers and her sheep
On lonely meadows when the daylight ends,
Ere the quick night upon her flock descends
Like a black panther from the caves of sleep.
Time's river winds in foaming centuries
Its changing, swift, irrevocable course
To far off and incalculable seas;
She is twin-born with primal mysteries,
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The third excerpt represents the future or something you must embrace, and is drawn from The Communist Manifesto by Karl Marx: bourgeoisie, to freedom of commerce, to the world-market, to
uniformity in the mode of production and in the conditions of
life corresponding thereto.
The supremacy of the proletariat will cause them to vanish still
faster.
United action, of the leading civilised countries at least, is
one of
the first conditions for the emancipation of the proletariat.
In proportion as the exploitation of one individual by another
is put an end to, the exploitation of one nation by another will
also be put an end to. In proportion as the antagonism between
The Communist Manifesto |
