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Today's Stichomancy for Stephen Colbert

The first excerpt represents the past or something you must release, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

"Safe, possibly, from other hands, but not from her own," said Gahan. "She will never become Jeddara of Manator--first will she destroy herself."

"She would do that?" asked I-Gos.

"She will, unless you can get word to her that I still live and that there is yet hope," replied Gahan.

"I cannot get word to her," said I-Gos. "The quarters of his women O-Tar guards with jealous hand. Here are his most trusted slaves and warriors, yet even so, thick among them are countless spies, so that no man knows which be which. No shadow falls within those chambers that is not marked by a hundred eyes."


The Chessmen of Mars
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Iliad by Homer:

sons to get a mule-waggon ready, and to make the body of the waggon fast upon the top of its bed. Then he went down into his fragrant store-room, high-vaulted, and made of cedar-wood, where his many treasures were kept, and he called Hecuba his wife. "Wife," said he, "a messenger has come to me from Olympus, and has told me to go to the ships of the Achaeans to ransom my dear son, taking with me such gifts as shall give satisfaction to Achilles. What think you of this matter? for my own part I am greatly moved to pass through the camps of the Achaeans and go to their ships."

His wife cried aloud as she heard him, and said, "Alas, what has


The Iliad
The third excerpt represents the future or something you must embrace, and is drawn from The Purse by Honore de Balzac:

them. He stayed late at the studio and dined there; then, at about seven o'clock, he went down to call on his neighbors.

No painter of manners has ventured to initiate us--perhaps out of modesty--into the really curious privacy of certain Parisian existences, into the secret of the dwellings whence emerge such fresh and elegant toilets, such brilliant women, who rich on the surface, allow the signs of very doubtful comfort to peep out in every part of their home. If, here, the picture is too boldly drawn, if you find it tedious in places, do not blame the description, which is, indeed, part and parcel of my story; for the appearance of the rooms inhabited by his two neighbors had a