| The first excerpt represents the past or something you must release, and is drawn from Under the Andes by Rex Stout: heard Harry shouting something, but could not make out the words;
we were shooting forward with the speed of an express train and the
air about us was full of flying water.
The roar of the rapids became louder and louder. I turned for
an instant, shouting at the top of my voice: "Flat on your faces,
and hold on for dear life!" Then I dropped down with my oar under
me, passing my feet under two of the straps and clinging to two
others with my hands.
Another few seconds passed that seemed an hour. The raft was
swaying and lurching with the mad force of the current. I called
out again to Harry and Desiree, but my words were completely
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Gods of Mars by Edgar Rice Burroughs: I caught a fleeting grin passing across the features of the
black as he heard her words. I did not then understand why
he smiled. Later I was to learn, and she, too, in a most
horrible manner.
"If the other thing you have just learned," she continued,
"has led to as erroneous deductions as the first you are little
richer in knowledge than you were before."
"The other," I replied, "is that our dusky friend here does
not hail from the nearer moon--he was like to have died at
a few thousand feet above Barsoom. Had we continued the
five thousand miles that lie between Thuria and the planet
 The Gods of Mars |
The third excerpt represents the future or something you must embrace, and is drawn from A Personal Record by Joseph Conrad: gave it to me to the full. And I have been invited to sit in
more than one tall, dark house of the old town at their
hospitable board, had the bouillabaisse ladled out into a thick
plate by their high-voiced, broad-browed wives, talked to their
daughters--thick-set girls, with pure profiles, glorious masses
of black hair arranged with complicated art, dark eyes, and
dazzlingly white teeth.
I had also other acquaintances of quite a different sort. One of
them, Madame Delestang, an imperious, handsome lady in a
statuesque style, would carry me off now and then on the front
seat of her carriage to the Prado, at the hour of fashionable
 A Personal Record |