| The first excerpt represents the past or something you must release, and is drawn from Rivers to the Sea by Sara Teasdale: I walked thru a dingy street
Hurried, harassed,
Thinking of all my problems that never are
solved.
Suddenly out of the mist, a flaring gas-jet
Shone from a huddled shop.
I saw thru the bleary window
A mass of playthings:
False-faces hung on strings,
Valentines, paper and tinsel,
Tops of scarlet and green,
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Ideal Husband by Oscar Wilde: from public life? You would have no regrets?
LADY CHILTERN. Oh! none, Robert.
SIR ROBERT CHILTERN. [Sadly.] And your ambition for me? You used
to be ambitious for me.
LADY CHILTERN. Oh, my ambition! I have none now, but that we two
may love each other. It was your ambition that led you astray. Let
us not talk about ambition.
[LORD GORING returns from the conservatory, looking very pleased with
himself, and with an entirely new buttonhole that some one has made
for him.]
SIR ROBERT CHILTERN. [Going towards him.] Arthur, I have to thank
|
The third excerpt represents the future or something you must embrace, and is drawn from Long Odds by H. Rider Haggard: could judge, about eighteen yards past the pillar or mass of boulders, I
turned to have another look round. I have a pretty sharp eye, but I
could see nothing at all.
"Then, on a sudden, I saw something sufficiently alarming. On the top
of the mass of boulders, opposite to me, standing out clear against the
rock beyond, was the huge black-maned lion. He had been crouching
there, and now arose as though by magic. There he stood lashing his
tail, just like a living reproduction of the animal on the gateway of
Northumberland House that I have seen in a picture. But he did not
stand long. Before I could fire--before I could do more than get the
gun to my shoulder--he sprang straight up and out from the rock, and
Long Odds |
