| The first excerpt represents the past or something you must release, and is drawn from My Aunt Margaret's Mirror by Walter Scott: hurry you into dangers which it is certainly unnecessary for any
save professional persons to encounter."
"Lady Bothwell does me too much honour," replied the adventurous
knight, "in regarding such a circumstance with the slightest
interest. But to soothe your flattering anxiety, I trust your
ladyship will recollect that I cannot expose to hazard the
venerable and paternal character which you so obligingly
recommend to my protection, without putting in some peril an
honest fellow, called Philip Forester, with whom I have kept
company for thirty years, and with whom, though some folks
consider him a coxcomb, I have not the least desire to part."
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Catherine de Medici by Honore de Balzac: brief skirmish, in which the flower of the nobility beguiled by Calvin
perished, the prince arrived, with fifty noblemen, at the chateau of
Amboise on the very day after that fight, which the politic Guises
termed "the Tumult of Amboise." As soon as the duke and cardinal heard
of his coming they sent the Marechal de Saint-Andre with an escort of
a hundred men to meet him. When the prince and his own escort reached
the gates of the chateau the marechal refused entrance to the latter.
"You must enter alone, monseigneur," said the Chancellor Olivier, the
Cardinal de Tournon, and Birago, who were stationed outside of the
portcullis.
"And why?"
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The third excerpt represents the future or something you must embrace, and is drawn from Songs of Innocence and Experience by William Blake: Think not thou canst weep a tear,
And thy Maker is not near.
O He gives to us His joy,
That our grief He may destroy:
Till our grief is fled and gone
He doth sit by us and moan.
SONGS OF EXPERIENCE
INTRODUCTION
Hear the voice of the Bard,
Who present, past, and future, sees;
Whose ears have heard
 Songs of Innocence and Experience |