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Today's Stichomancy for Steve Martin

The first excerpt represents the past or something you must release, and is drawn from Confessio Amantis by John Gower:

He seith he mai wel understonde, That if sche wolde his compaignie, Sche scholde thanne afore his ije 500 Schewe al the plesir that sche mihte. So that be daie ne be nyhte Sche not what thing is for the beste, Bot liveth out of alle reste; For what as evere him liste sein, Sche dar noght speke a word ayein, Bot wepth and holt hire lippes clos. Sche mai wel wryte, "Sanz repos,"


Confessio Amantis
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

eternity. With trembling hands he seized hold of the man whom he had come to slay; and his voice broke from him like that of a child among the nightmares of fever: 'O! isn't there no mercy? O! what must I do to be saved?'

'Ah!' thought Attwater, 'here's the true penitent.'

Chapter 12. TAIL-PIECE

On a very bright, hot, lusty, strongly blowing noon, a fortnight after the events recorded, and a month since the curtain rose upon this episode, a man might have been spied, praying on the sand by the lagoon beach. A point of palm trees isolated him from the settlement; and from the place where he knelt, the only

The third excerpt represents the future or something you must embrace, and is drawn from The Reef by Edith Wharton:

within, while her lips kept their sleepy droop.

Shouts and the hurried tread of travellers came to them through the confusing cross-lights of the platform. A head appeared at the window, and Darrow threw himself forward to defend their solitude; but the intruder was only a train hand going his round of inspection. He passed on, and the lights and cries of the station dropped away, merged in a wider haze and a hollower resonance, as the train gathered itself up with a long shake and rolled out again into the darkness.

Miss Viner's head sank back against the cushion, pushing out