| The first excerpt represents the past or something you must release, and is drawn from The Happy Prince and Other Tales by Oscar Wilde: your garden now, little children," said the Giant, and he took a
great axe and knocked down the wall. And when the people were
going to market at twelve o'clock they found the Giant playing with
the children in the most beautiful garden they had ever seen.
All day long they played, and in the evening they came to the Giant
to bid him good-bye.
"But where is your little companion?" he said: "the boy I put into
the tree." The Giant loved him the best because he had kissed him.
"We don't know," answered the children; "he has gone away."
"You must tell him to be sure and come here to-morrow," said the
Giant. But the children said that they did not know where he
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Juana by Honore de Balzac: life of home. Evils came from society--why not banish it? In his home
Diard found peace and respect; he reigned there. She felt herself
strong to accept the trying task of making him happy,--he, a man
dissatisfied with himself. Her energy increased with the difficulties
of life; she had all the secret heroism necessary to her position;
religion inspired her with those desires which support the angel
appointed to protect a Christian soul--occult poesy, allegorical image
of our two natures!
Diard abandoned his projects, closed his house to the world, and lived
in his home. But here he found another reef. The poor soldier had one
of those eccentric souls which need perpetual motion. Diard was one of
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The third excerpt represents the future or something you must embrace, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner: became at last, rather, a chain of disconnected pictures, painting
themselves in irrelevant order on his brain, than a line of connected
ideas. Now, as he looked into the crackling blaze, it seemed to be one of
the fires they had make to burn the natives' grain by, and they were
throwing in all they could not carry away: then, he seemed to see his
mother's fat ducks waddling down the little path with the green grass on
each side. Then, he seemed to see his huts where he lived with the
prospectors, and the native women who used to live with him; and he
wondered where the women were. Then--he saw the skull of an old Mashona
blown off at the top, the hands still moving. He heard the loud cry of the
native women and children as they turned the maxims on to the kraal; and
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