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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from I Have A Dream by Martin Luther King, Jr.:

It came as a joyous daybreak to end the long night of captivity.

But one hundred years later, we must face the tragic fact that the Negro is still not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languishing in the corners of American society and finds himself an exile in his own land. So we have come here today to dramatize an appalling condition.

In a sense we have come to our nation's capital to cash a check.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Heroes by Charles Kingsley:

Then she sighed, and said, 'The Gods wait long; but they are just at last. Let it be for another year. The day may come when you will be a stronger man than lives in all Troezene.'

Then she took him by the hand, and went into the temple and prayed, and came down again with Theseus to her home.

And when a full year was past she led Theseus up again to the temple, and bade him lift the stone; but he could not.

Then she sighed, and said the same words again, and went down, and came again the next year; but Theseus could not lift the stone then, nor the year after; and he longed to ask his mother the meaning of that stone, and what might lie

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

procession of bleak hills defiled slowly southward; lighthouses were passed; streamers of smoke on the western horizon marked the passage of steamships; and once they met and passed close by a huge Cape Horner, a great deep-sea tramp, all sails set and drawing, rolling slowly and leisurely in seas that made the schooner dance.

At last the Farallones looked over the ocean's edge to the north; then came the whistling-buoy, the Seal Rocks, the Heads, Point Reyes, the Golden Gate flanked with the old red Presidio, Lime Point with its watching cannon; and by noon of a gray and boisterous day, under a lusty wind and a slant of rain, just five

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Master of the World by Jules Verne:

this halt might continue.

I had not a quarter of an hour to wait. A noise of bars being removed came to my ear. The hatchway was raised from above. A wave of light and air penetrated my cabin.

With one bound I reached the deck. My eyes in an instant swept round the horizon.

The "Terror," as I had thought, rested quiet on the ground. She was in the midst of a rocky hollow measuring from fifteen to eighteen hundred feet in circumference. A floor of yellow gravel carpeted its entire extent, unrelieved by a single tuft of herbage.

This hollow formed an almost regular oval, with its longer diameter