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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Theaetetus by Plato:

are six dice, which are more by a half when compared with four, and fewer by a half than twelve--they are more and also fewer. How can you or any one maintain the contrary?

THEAETETUS: Very true.

SOCRATES: Well, then, suppose that Protagoras or some one asks whether anything can become greater or more if not by increasing, how would you answer him, Theaetetus?

THEAETETUS: I should say 'No,' Socrates, if I were to speak my mind in reference to this last question, and if I were not afraid of contradicting my former answer.

SOCRATES: Capital! excellent! spoken like an oracle, my boy! And if you

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Royalty Restored/London Under Charles II by J. Fitzgerald Molloy:

had, on his restoration, issued a proclamation against this common practice, threatening such as engaged in it with displeasure, declaring them incapable of holding any office in his service, and forbidding them to appear at court, yet but little attention was paid his words, and duels continually took place, Though most frequently resorted to as a means of avenging outraged honour, they were occasionally the result of misunderstanding. A pathetic story is told of a fatal encounter, caused by a trifle light as air, which took place in the year 1667 at Covent Garden, between Sir Henry Bellasis and Tom Porter --the same witty soul who wrote a play called "The Villain," which

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moran of the Lady Letty by Frank Norris:

winter months.

"Here he comes!" shouted Jerry, his eyes caught by a group of men in full dress and gold lace who came tramping down the hall to the ballroom, bearing a nondescript figure on their shoulders. "Here he comes--the boys are bringing him in here! Oh!" he cried, turning to the musicians, "can't you play something?--any-thing! Hit it up for all you're worth! Ridgeway--Nat, look here! Ross was Yale, y' know--Yale '95; ain't we enough Yale men here to give him the yell?"

Out of all time and tune, but with a vigor that made up for both, the musicians banged into a patriotic air. Jerry, standing on a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Rescue by Joseph Conrad:

way."

"Ah! you define diplomacy," murmured d'Alcacer. "A little of it here would do no harm. But our picturesque visitor has none of it. I've a great liking for him."

"Already!" breathed out Mrs. Travers, with a smile that touched her lips with its bright wing and was flown almost before it could be seen.

"There is liking at first sight," affirmed d'Alcacer, "as well as love at first sight--the coup de foudre--you know."

She looked up for a moment, and he went on, gravely: "I think it is the truest, the most profound of sentiments. You do not love


The Rescue