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Today's Stichomancy for T. S. Eliot

The first excerpt represents the past or something you must release, and is drawn from The Mountains by Stewart Edward White:

fire, shouted: "If you fellows come MOPING around here any more, I'LL SURE MAKE YOU HARD TO CATCH!" "Fish in that pond, son? Why, there's some fish in there big enough to rope," another advised me. "I quit shoveling," one explained the story of his life, "because I couldn't see nothing ahead of shoveling but dirt." The same man described ploughing as, "Looking at a mule's tail all day." And one of the most succinct epitomes of the motifs of fiction was offered by an old fellow who looked over my shoulder as I was reading a novel. "Well, son," said

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Georgics by Virgil:

Subdues him: the shy deer and fleet-foot stags With hounds now wander by the haunts of men Vast ocean's offspring, and all tribes that swim, On the shore's confine the wave washes up, Like shipwrecked bodies: seals, unwonted there, Flee to the rivers. Now the viper dies, For all his den's close winding, and with scales Erect the astonied water-worms. The air Brooks not the very birds, that headlong fall, And leave their life beneath the soaring cloud. Moreover now nor change of fodder serves,


Georgics
The third excerpt represents the future or something you must embrace, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson:

the first time found a perfectly translucent medium. It was not so much that she said rare things, but her very silence was eloquent, and there was a great deal of it. Her girlhood had in it a certain dignity as of a virgin priestess or sibyl. Yet her hearty sympathies and her healthy energy made her at home in daily life, and in a democratic society. To Kate, for instance, she was a necessity of existence, like light or air. Kate's nature was limited; part of her graceful equipoise was narrowness. Hope was capable of far more self-abandonment to a controlling emotion, and, if she ever erred, would err more widely, for it would be because the whole power of her