| The first excerpt represents the past or something you must release, and is drawn from The Legend of Sleepy Hollow by Washington Irving: time rattling along the hollow roads, and over the distant hills.
Some of the damsels mounted on pillions behind their favorite
swains, and their light-hearted laughter, mingling with the
clatter of hoofs, echoed along the silent woodlands, sounding
fainter and fainter, until they gradually died away, --and the
late scene of noise and frolic was all silent and deserted.
Ichabod only lingered behind, according to the custom of country
lovers, to have a tete-a-tete with the heiress; fully convinced
that he was now on the high road to success. What passed at this
interview I will not pretend to say, for in fact I do not know.
Something, however, I fear me, must have gone wrong, for he
 The Legend of Sleepy Hollow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tales of the Klondyke by Jack London: confusion and embarrassment at the Governor's ball.
All of which may be ancient history so far as the Klondike is
concerned, but very few, even in Dawson, know the inner truth of
the matter; nor beyond those few are there any fit to measure the
wife of the captain or the Greek dancer. And that all are now
permitted to understand, let honor be accorded Sitka Charley.
From his lips fell the main facts in the screed herewith
presented. It ill befits that Freda herself should have waxed
confidential to a mere scribbler of words, or that Mrs. Eppingwell
made mention of the things which happened. They may have spoken,
but it is unlikely.
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The third excerpt represents the future or something you must embrace, and is drawn from Chronicles of the Canongate by Walter Scott: murderer as he is, make a murderer's end."
Whilst the women thus discoursed together, as they watched the
corpse of Allan Breack Cameron, the unhappy cause of his death
pursued her lonely way across the mountain. While she remained
within sight of the bothy, she put a strong constraint on
herself, that by no alteration of pace or gesture she might
afford to her enemies the triumph of calculating the excess of
her mental agitation, nay, despair. She stalked, therefore, with
a slow rather than a swift step, and, holding herself upright,
seemed at once to endure with firmness that woe which was passed,
and bid defiance to that which was about to come. But when she
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