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Today's Stichomancy for Terry Gilliam

The first excerpt represents the past or something you must release, and is drawn from A Pair of Blue Eyes by Thomas Hardy:

This place lay in a vale of its own, further inland than the west village, and though so near it, had little of physical feature in common with the latter. East Endelstow was more wooded and fertile: it boasted of Lord Luxellian's mansion and park, and was free from those bleak open uplands which lent such an air of desolation to the vicinage of the coast--always excepting the small valley in which stood the vicarage and Mrs. Swancourt's old house, The Crags.

Stephen had arrived nearly at the summit of the ridge when the rain again increased its volume, and, looking about for temporary shelter, he ascended a steep path which penetrated dense hazel


A Pair of Blue Eyes
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucky O'Connor by William MacLeod Raine:

The other man broke in, easy and unmoved. "Hold yore hawses, cap. We got no call to be threatening this young lady. We keep her for a ransom because that's business. But she's as safe here as she would be at the Rocking Chair. She's got York Neil's word for that."

The Wolf snarled. "The word of a miscreant. That'll comfort her a heap. And York Neil's word don't always go up here."

The cowpuncher's steady eyes met him. "It'll go this time."

The girl gave her champion a quiet little nod and a low "Thank you." It was not much, but enough. For on the frontier "white men" do not war on women. Her instinct gave just the right manner

The third excerpt represents the future or something you must embrace, and is drawn from Juana by Honore de Balzac:

other chances for elevation. We sometimes meet with invalid women, feeble beings apparently, who, without rising from sofas or leaving their chambers, have ruled society, moved a thousand springs, and placed their husbands where their ambition or their vanity prompted. But Juana, whose childhood was passed in her retreat in Tarragona, knew nothing of the vices, the meannesses, or the resources of Parisian society; she looked at that society with the curiosity of a girl, but she learned from it only that which her sorrow and her wounded pride revealed to her.

Juana had the tact of a virgin heart which receives impressions in advance of the event, after the manner of what are called