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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

And round whose coats in summer half-silken tatters are hanging. But ere long I discover'd they only intended to fool me This was very annoying, my pride was offended, but more still Felt I deeply wounded that they so mistook the good feelings Which I cherish'd towards them, especially Minnie, the youngest. Well, I went last Easter, politely to pay them a visit, And I wore the new coat now hanging up in the closet, And was frizzled and curld, like all the rest of the youngsters. When I enter'd, they titter'd; but that didn't very much matter. Minnie sat at the piano, the father was present amongst them, Pleased with his daughter's singing, and quite in a jocular humour.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

The father himself had occasional attacks of epilepsy, but they were never frequent enough to hinder him working as an artisan. He was a very moderate user of alcohol. The mother has always been fairly healthy. Thinks she now has a cancer. There are no other significant points in heredity that she knows. There are three living children; a number of miscarriages came after John was born.

The pregnancy and birth were, normal. John walked and talked very early. Never any convulsions. At about two years of age he was very low with a complication of diseases. He was sick at that time for three months. Later he was operated on for

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maitre Cornelius by Honore de Balzac:

one side to those on the other. This perilous occupation was long the amusement of King Charles IX. in his youth, if we may believe the memoirs of his day.

Fearing to present himself too late to the old silversmith, the young nobleman now went up to the door of the Malemaison intending to knock, when, on looking at it, his attention was excited by a sort of vision, which the writers of those days would have called "cornue,"--perhaps with reference to horns and hoofs. He rubbed his eyes to clear his sight, and a thousand diverse sentiments passed through his mind at the spectacle before him. On each side of the door was a face framed in a species of loophole. At first he took these two faces for

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

pence on a shave--out of respect for the old man."

"Are you really Harry Hagberd?" she asked. "Can you prove it?"

"Can I prove it? Can any one else prove it?" he said jovially. "Prove with what? What do I want to prove? There isn't a single corner in the world, barring England, perhaps, where you could not find some man, or more likely woman, that would remember me for Harry Hagberd. I am more like Harry Hagberd than any man alive; and I can prove it to you in a minute, if you will let me


To-morrow