| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from American Notes by Rudyard Kipling: "We work for our bread."
"And then what do you expect?"
"Then we shall work for our bread."
"Till you die?"
"Ye-es--unless--"
"Unless what? This is your business, you know. A man works
until he dies."
"So shall we"--this without enthusiasm--"I suppose."
Said the partner in the firm, audaciously:--"Sometimes we marry
our employees--at least, that's what the newspapers say."
The hand banged on half a dozen of the keys of the machine at
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from One Basket by Edna Ferber: whistling blithely and abstractedly while they discarded a blue
polka-dot for a maroon tie, whipped off the maroon for a
shot-silk and at the last moment decided against the shot-silk in
favor of a plain black-and-white because she had once said she
preferred quiet ties. Jo, when he should have been preening his
feathers for conquest, was saying:
"Well, my God, I AM hurrying! Give a man time, can't you? I
just got home. You girls been laying around the house all day.
No wonder you're ready."
He took a certain pride in seeing his sisters well dressed, at a
time when he should have been reveling in fancy waistcoats and
 One Basket |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad: loud groan. Suddenly Arsat stumbled out with outstretched hands,
shivered, and stood still for some time with fixed eyes. Then he
said--
"She burns no more."
Before his face the sun showed its edge above the tree-tops rising
steadily. The breeze freshened; a great brilliance burst upon the
lagoon, sparkled on the rippling water. The forests came out of the
clear shadows of the morning, became distinct, as if they had rushed
nearer--to stop short in a great stir of leaves, of nodding boughs, of
swaying branches. In the merciless sunshine the whisper of unconscious
life grew louder, speaking in an incomprehensible voice round the dumb
 Tales of Unrest |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Marriage Contract by Honore de Balzac: will have to go without it. Marry, and you'll grow a blockhead; you'll
calculate dowries; you'll talk morality, public and religious; you'll
think young men immoral and dangerous; in short, you'll become a
social academician. It's pitiable! The old bachelor whose property the
heirs are waiting for, who fights to his last breath with his nurse
for a spoonful of drink, is blest in comparison with a married man.
I'm not speaking of all that will happen to annoy, bore, irritate,
coerce, oppose, tyrannize, narcotize, paralyze, and idiotize a man in
marriage, in that struggle of two beings always in one another's
presence, bound forever, who have coupled each other under the strange
impression that they were suited. No, to tell you those things would
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