| The first excerpt represents the past or something you must release, and is drawn from The Troll Garden and Selected Stories by Willa Cather: with it?"
Arthur chuckled. "I wouldn't worry, Ott. Nothing's apt to
happen to it in your time. Look at the Milky Way! There must be
lots of good dead Indians."
We lay back and looked, meditating, at the dark cover of the
world. The gurgle of the water had become heavier. We had often
noticed a mutinous, complaining note in it at night, quite
different from its cheerful daytime chuckle, and seeming like the
voice of a much deeper and more powerful stream. Our water had
always these two moods: the one of sunny complaisance, the other of
inconsolable, passionate regret.
 The Troll Garden and Selected Stories |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Deserted Woman by Honore de Balzac: themselves, and one and all loyally devoted to princes whom they only
see at a distance. The historical house /incognito/ is as quaint a
survival as a piece of ancient tapestry. Vegetating somewhere among
them there is sure to be an uncle or a brother, a lieutenant-general,
an old courtier of the Kings's, who wears the red ribbon of the order
of Saint-Louis, and went to Hanover with the Marechal de Richelieu:
and here you will find him like a stray leaf out of some old pamphlet
of the time of Louis Quinze.
This fossil greatness finds a rival in another house, wealthier,
though of less ancient lineage. Husband and wife spend a couple of
months of every winter in Paris, bringing back with them its frivolous
|
The third excerpt represents the future or something you must embrace, and is drawn from In Darkest England and The Way Out by General William Booth: and hunted into crime, until at last disease harries them into the
grave?
I am under no delusion as to the possibility of inaugurating a
millennium by my Scheme; but the triumphs of science deal so much with
the utilisation of waste material, that I do not despair of something
effectual being accomplished in the utilisation of this waste human
product. The refuse which was a drug and a curse to our manufacturers,
when treated under the hands of the chemist, has been the means of
supplying us with dyes rivalling in loveliness and variety the hues of
the rainbow. If the alchemy of science can extract beautiful colours
from coal tar, cannot Divine alchemy enable us to evolve gladness and
 In Darkest England and The Way Out |