| The first excerpt represents the past or something you must release, and is drawn from God The Invisible King by H. G. Wells: delaying the relief of Kut-el-Amara, and he has not thought of the
difficult question why the Deity, having once decided upon
intervention, did not, instead of this comparatively trivial
meteorological assistance, adopt the more effective course of, for
example, exploding or spoiling the German stores of ammunition by
some simple atomic miracle, or misdirecting their gunfire by a
sudden local modification of the laws of refraction or gravitation.
Since these views of God come from Anglican vicarages I can only
conclude that this kind of belief is quite orthodox and permissible
in the established church, and that I am charging orthodox
Christianity here with nothing that has ever been officially
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner: The men returned to the dining-room, Muller last, for he stopped
to lock the door of the study and put the key in his pocket. Then
he began his examination of the servants.
The old housekeeper, who, as usual, was the first to rise in the
household, had also, as usual, rung the bell to waken the other
servants. Then when Liska came downstairs she had sent her up
to the pastor's room. His bedroom was to the right of the
diningroom. Liska had, as usual, knocked on the door exactly at
seven o'clock and continued knocking for some few minutes without
receiving any answer. Slightly alarmed, the girl had gone back
and told the housekeeper that the pastor did not answer.
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The third excerpt represents the future or something you must embrace, and is drawn from Herodias by Gustave Flaubert: emperor that Herodias had given to him; he drew it forth and looked at
it a moment, trembling, then held it up with its face turned towards
the throng.
At the same moment, the panels of the gold-railed balcony were folded
back, and, accompanied by slaves bearing wax tapers, Herodias
appeared, her coiffure crowned with an Assyrian mitre, which was held
in place by a band passing under the chin. Her dark hair fell in
ringlets over a scarlet peplum with slashed sleeves. On either side of
the door through which one stepped into the gallery, stood a huge
stone monster, like those of Atrides; and as Herodias appeared between
them, she looked like Cybele supported by her lions. In her hands she
Herodias |
