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Today's Stichomancy for Thomas Edison

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Russia in 1919 by Arthur Ransome:

Now, I have a stock theory which I am used to set before revolutionaries of all kinds, nearly always with interesting results. (See p.118.) I tried it on Bucharin. I said:-

"You people are always saying that there will be revolution in England. Has it not occurred to you that England is a factory and not a granary, so that in the event of revolution we should be immediately cut off from all food supplies. According to your own theories, English capital would unite with American in ensuring that within six weeks the revolution had nothing to eat. England is not a country like Russia where you can feed yourselves somehow or other

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The First Men In The Moon by H. G. Wells:

WHEN I had finished my account of my return to the earth at Littlestone, I wrote, "The End," made a flourish, and threw my pen aside, fully believing that the whole story of the First Men in the Moon was done. Not only had I done this, but I had placed my manuscript in the hands of a literary agent, had permitted it to be sold, had seen the greater portion of it appear in the Strand Magazine, and was setting to work again upon the scenario of the play I had commenced at Lympne before I realised that the end was not yet. And then, following me from Amalfi to Algiers, there reached me (it is now about six months ago) one of the most astounding communications I have ever been fated to receive. Briefly, it informed me that Mr. Julius Wendigee, a Dutch electrician, who has been experimenting


The First Men In The Moon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Little Women by Louisa May Alcott:

spectator pleased.

Charcoal portraits came next, and the entire family hung in a row, looking as wild and crocky as if just evoked from a coalbin. Softened into crayon sketches, they did better, for the likenesses were good, and Amy's hair, Jo's nose, Meg's mouth, and Laurie's eyes were pronounced `wonderfully fine'. A return to clay and plaster followed, and ghostly casts of her acquaintances haunted corners of the house, or tumbled off closet shelves onto people's heads. Children were enticed in as models, till their incoherent accounts of her mysterious doings caused Miss Amy to be regarded in the light of a young ogress. Her efforts in this line, however,


Little Women
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

wish that she alone should nurse him. His family were kept away, any attempts his relatives or friends made to see or communicate with him frustrated by the zealous widow.

It was this uncompromising attitude on her part toward the friends of Georges, and a rumour which reached the ears of one of them that she intended as soon as possible to take her patient away to Italy, that sounded the first note of danger to her peace of mind. This friend happened to be acquainted with the son of one of the Deputy Public Prosecutors in Paris. To that official he confided his belief that there were suspicious circumstances in the case of Georges de Saint Pierre. The judicial authorities


A Book of Remarkable Criminals