Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Thomas Jefferson

The first excerpt represents the past or something you must release, and is drawn from Miracle Mongers and Their Methods by Harry Houdini:

noted in Chapter Eleven, I recall two strong- women who were notably good; Yucca, who lifted a horse by means of a harness over the shoulders; and La Blanche, who toyed with heavy articles in a most entertaining way. I remember these ladies particularly because both were remarkably good talkers--and I am referring to conversational quality, not to volume.

Lulu Hurst--known variously as The Georgia Magnet, The Electric Girl, The


Miracle Mongers and Their Methods
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polly of the Circus by Margaret Mayo:

toying nervously with the tiny fingers.

"I wouldn't do nothin' that you wasn't a-wantin', Poll. I was just a tryin' to help yer, only I--I never seem to know how."

She turned to him with tear-dimmed eyes, and rested her hands on his great, broad shoulders, and he saw the place where he dwelt in her heart.

Chapter XIV

THE "Leap of Death" implements were being carried from the ring, and Jim turned away to superintend their loading.

Performers again rushed by each other on their way to and from the main tent.

The third excerpt represents the future or something you must embrace, and is drawn from Daisy Miller by Henry James:

himself gallantly. He smiled and bowed and showed his white teeth; he curled his mustaches and rolled his eyes and performed all the proper functions of a handsome Italian at an evening party. He sang very prettily half a dozen songs, though Mrs. Walker afterward declared that she had been quite unable to find out who asked him. It was apparently not Daisy who had given him his orders. Daisy sat at a distance from the piano, and though she had publicly, as it were, professed a high admiration for his singing, talked, not inaudibly, while it was going on.

"It's a pity these rooms are so small; we can't dance," she said to Winterbourne, as if she had seen him five minutes before.