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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Faraday as a Discoverer by John Tyndall:

sphere back to the magnet, we have to overcome a repulsion to bring them together.

There is no potential energy conferred either by the removal or by the approach of the wire, and the only power really transformed or converted, in the experiment, is muscular power. Nothing that could in strictness be called a conversion of magnetism into electricity occurs. The muscular oxidation that moves the wire fails to produce within the muscle its due amount of heat, a portion of that heat, equivalent to the resistance overcome, appearing in the moving wire instead.

Is this effect an attraction and a repulsion at a distance? If so,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

judgment on any Christian sect, but if you're to know the chosen by their works, the Gospellers can't make a very proud showin', an' that's a fact. They're responsible for a few suicides, and they've sent a good-sized delegation to the state insane asylum, an' I don't see as they've made the rest of us much better than we were before. I had a little herdboy last spring, as square a little Dane as I want to work for me, but after the Gospellers got hold of him and sanctified him, the little beggar used to get down on his knees out on the prairie and pray by the hour and let the cattle get into the corn, an' I had to fire him. That's about the way it goes. Now there's Eric; that chap used to be a hustler and the


The Troll Garden and Selected Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Lesson of the Master by Henry James:

from a cupboard in the wall, retiring afterwards with the garment he had taken off. Paul Overt welcomed the coat; it was a coat for talk, it promised confidences - having visibly received so many - and had tragic literary elbows. "Ah we're practical - we're practical!" St. George said as he saw his visitor look the place over. "Isn't it a good big cage for going round and round? My wife invented it and she locks me up here every morning."

Our young man breathed - by way of tribute - with a certain oppression. "You don't miss a window - a place to look out?"

"I did at first awfully; but her calculation was just. It saves time, it has saved me many months in these ten years. Here I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Octopus by Frank Norris:

that every lump of dirt inside my fence is my personal property. Why, the very house I live in now--the ranch house--stands on railroad ground."

"But, you've an option"

"I tell you I don't want your cursed option. I want ownership; and it's the same with Magnus Derrick and old Broderson and Osterman and all the ranchers of the county. We want to own our land, want to feel we can do as we blame please with it. Suppose I should want to sell Quien Sabe. I can't sell it as a whole till I've bought of you. I can't give anybody a clear title. The land has doubled in value ten times over again since I came