| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beast in the Jungle by Henry James: chance, the insolence of accident. Now that the illumination had
begun, however, it blazed to the zenith, and what he presently
stood there gazing at was the sounded void of his life. He gazed,
he drew breath, in pain; he turned in his dismay, and, turning, he
had before him in sharper incision than ever the open page of his
story. The name on the table smote him as the passage of his
neighbour had done, and what it said to him, full in the face, was
that she was what he had missed. This was the awful thought, the
answer to all the past, the vision at the dread clearness of which
he turned as cold as the stone beneath him. Everything fell
together, confessed, explained, overwhelmed; leaving him most of
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Catherine de Medici by Honore de Balzac: system of drains and fountains was still to be invented; nothing of
the kind as yet existed except the circuit sewer, constructed by
Aubriot, provost of Paris under Charles the Wise, who also built the
Bastille, the pont Saint-Michel and other bridges, and was the first
man of genius who ever thought of the sanitary improvement of Paris.
The houses situated like that of Lecamus took from the river the water
necessary for the purposes of life, and also made the river serve as a
natural drain for rain-water and household refuse. The great works
that the "merchants' provosts" did in this direction are fast
disappearing. Middle-aged persons alone can remember to have seen the
great holes in the rue Montmartre, rue du Temple, etc., down which the
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest: That is the road for me,
I know no finer path to roam,
With finer sights to see.
With thoroughfares the world is lined
That lead to wonders new,
But he who treads them leaves behind
The tender things and true.
Oh, north and south and east and west
The crowded roadways go,
And sweating brow and weary breast
Are all they seem to know.
A Heap O' Livin' |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Hunting of the Snark by Lewis Carroll: They roused him with mustard and cress--
They roused him with jam and judicious advice--
They set him conundrums to guess.
When at length he sat up and was able to speak,
His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
And excitedly tingled his bell.
There was silence supreme! Not a shriek, not a scream,
Scarcely even a howl or a groan,
As the man they called "Ho!" told his story of woe
In an antediluvian tone.
The Hunting of the Snark |
