| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On Horsemanship by Xenophon: [27] Lit. "the thighs beneath the tail."
[28] Reading {plateia to gramme diorismenous ekhe}, sc. the perineum.
Al. Courier (after Apsyrtus), op. cit. p. 14, {plateis te kai me
diestrammenous}, "broad and not turned outwards."
[29] Or, "he will be sure to spread well behind," etc.
[30] {ton upobasin}, tech. of the crouching posture assumed by the
horse for mounting or "in doing the demi-passade" (so Morgan, op.
cit. p. 126).
The human subject would seem to point to this conclusion. When a man
wants to lift anything from off the ground he essays to do so by
bringing the legs apart and not by bringing them together.
 On Horsemanship |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Somebody's Little Girl by Martha Young: entirely packed for the going away to-morrow. Then Sister Helen
Vincula took out, from almost the bottom of the trunk, the little
white night-gown that had ``Bessie Bell'' written on it with linen
thread.
And Sister Helen Vincula laid the little white night-gown across the
lady's lap.
Then the lady read the name written with the linen thread.
The lady said: ``I worked this name with my own hands.''
She drew Bessie Bell closer to her, and she said: ``Sister Helen
Vincula, can you doubt?''
Bessie Bell stood contentedly where the lady held her, and she
|