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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

poured over me the story of her first meeting with Tom.

"It was on the two little seats facing each other that are always the last ones left on the train. I was going up to New York to see my sister and spend the night. He had on a dress suit and patent leather shoes, and I couldn't keep my eyes off him, but every time he looked at me I had to pretend to be looking at the advertisement over his head. When we came into the station he was next to me, and his white shirt-front pressed against my arm, and so I told him I'd have to call a policeman, but he knew I lied. I was so excited that when I got into a taxi with him I didn't hardly know I wasn't getting into a subway train. All I kept thinking about, over and over, was 'You can't live


The Great Gatsby
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An Open Letter on Translating by Dr. Martin Luther:

correct, as "abundance of the heart" is not German, not any more than "abundance of the house, "abundance of the stove" or "abundance of the bench" is German. But the mother in the home and the common man say this: "What fills the heart overflows the mouth." That is speaking with the proper German tongue of the kind I have tried for, although unfortunately not always successfully. The literal Latin is a great barrier to speaking proper German.

So, as the traitor Judas says in Matthew 26: "Ut quid perditio haec?" and in Mark 14: "Ut quid perditio iste unguenti facta est?" Subsequently, for these literalist asses I would have to translate

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

my lord, what a countenance did she display to me! There was no longer any question what she was, or any thought of her being a living being. Upon a face which wore the fixed features of a corpse were imprinted the traces of the vilest and most hideous passions which had animated her while she lived. The body of some atrocious criminal seemed to have been given up from the grave, and the soul restored from the penal fire, in order to form for a space a union with the ancient accomplice of its guilt. I started up in bed, and sat upright, supporting myself on my palms, as I gazed on this horrible spectre. The hag made, as it seemed, a single and swift stride to the bed where I lay,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from In the Cage by Henry James:

yet at the same time caused her to thrill with a sense of the high company she did somehow keep. She was with the absent through her ladyship and with her ladyship through the absent. The only pang-- but it didn't matter--was the proof in the admirable face, in the sightless preoccupation of its possessor, that the latter hadn't a notion of her. Her folly had gone to the point of half believing that the other party to the affair must sometimes mention in Eaton Square the extraordinary little person at the place from which he so often wired. Yet the perception of her visitor's blankness actually helped this extraordinary little person, the next instant, to take refuge in a reflexion that could be as proud as it liked.