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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

hers that she held me. She had asked me to go from her, and again in the night time and with tears she had asked me to go.

"At last it was the sense of her that roused me from my mood. I turned upon her suddenly and challenged her to race down the mountain slopes. 'No,' she said, as if I had jarred with her gravity, but I was resolved to end that gravity, and make her run--no one can be very gray and sad who is out of breath--and when she stumbled I ran with my hand beneath her arm. We ran down past a couple of men, who turned back staring in astonishment at my behaviour--they must have recognised my face. And half way down the slope came a tumult in the air, clang-clank, clang-clank, and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Somebody's Little Girl by Martha Young:

to be round pink little hands again, now--clasped in front of her and wondered.

``See, Mama! Look, Mama!'' cried the little girl.

``Why does she say: Mama?'' asked Bessie Bell, because she just wondered, and wondered--and she did not know.

``Because it is her Mama,'' said a child who had just brought two more rocks to put on the chimney.

``Oh,'' said Bessie Bell.

That lady who was the little girl's Mama looked much as all the ladies looked.

``Are all Ladies Mamas?'' asked Bessie Bell.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Caesar's Commentaries in Latin by Julius Caesar:

totis fere castris a fronte et a sinistra parte nudatis, cum in dextro cornu legio XII. et non magno ab ea intervallo VII. constitisset, omnes Nervii confertissimo agmine duce Boduognato, qui summam imperii tenebat, ad eum locum contenderunt; quorum pars aperto latere legiones circumvenire, pars summum castrorum locum petere coepit.

Eodem tempore equites nostri levisque armaturae pedites, qui cum iis una fuerant, quos primo hostium impetu pulsos dixeram, cum se in castra reciperent, adversis hostibus occurrebant ac rursus aliam in partem fugam petebant; et calones, qui ab decumana porta ac summo iugo collis nostros victores flumen transire conspexerant, praedandi causa egressi, cum respexissent et hostes in nostris castris versari vidissent, praecipites

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memories and Portraits by Robert Louis Stevenson:

fresh antiquity. I will not insist upon the art of Skelt's purveyors. These wonderful characters that once so thrilled our soul with their bold attitude, array of deadly engines and incomparable costume, to-day look somewhat pallidly; the extreme hard favour of the heroine strikes me, I had almost said with pain; the villain's scowl no longer thrills me like a trumpet; and the scenes themselves, those once unparalleled landscapes, seem the efforts of a prentice hand. So much of fault we find; but on the other side the impartial critic rejoices to remark the presence of a great unity of gusto; of those direct clap-trap appeals, which a man is dead and buriable when he fails to answer; of the footlight