| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Falk by Joseph Conrad: plaster, hovels of lath and mud, lofty temple gates
of carved timber, huts of rotten mats--an im-
mensely wide thoroughfare, loosely packed as far
as the eye could reach with a barefooted and brown
multitude paddling ankle deep in the dust. For a
moment I felt myself about to go out of my mind
with worry and desperation.
Some allowance must be made for the feelings
of a young man new to responsibility. I thought
of my crew. Half of them were ill, and I really
began to think that some of them would end by dy-
 Falk |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Alexandria and her Schools by Charles Kingsley: only truly existing things, in short, are certain things which are not
seen; inappreciable by sense, or understanding, or imagination,
perceived only by the conscience and the reason. And that, again, the
problem of philosophy, the highest good for man, that for the sake of
which death were a gain, without which life is worthless, a drudgery, a
degradation, a failure, and a ruin, is to discover what those unseen
eternal things are, to know them, possess them, be in harmony with them,
and thereby alone to rise to any real and solid power, or safety, or
nobleness. It is a strange dream. But you will see that it is one
which does not bear much upon "points of controversy," any more than on
"Locke's philosophy;" nevertheless, when we find this same strange dream
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Wizard of Oz by L. Frank Baum: and I suppose there never will be, for they don't belong there. We shall
be glad to serve you in any way in our power, but we cannot cross the desert.
Good-bye."
And with another bow, the Monkey King spread his wings and
flew away through the window, followed by all his band.
Dorothy was ready to cry with disappointment. "I have wasted
the charm of the Golden Cap to no purpose," she said, "for the
Winged Monkeys cannot help me."
"It is certainly too bad!" said the tender-hearted Woodman.
The Scarecrow was thinking again, and his head bulged out so
horribly that Dorothy feared it would burst.
 The Wizard of Oz |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Art of Writing by Robert Louis Stevenson: his merits, to which we are too blind. And THE EGOIST is a
satire; so much must be allowed; but it is a satire of a
singular quality, which tells you nothing of that obvious
mote, which is engaged from first to last with that invisible
beam. It is yourself that is hunted down; these are your own
faults that are dragged into the day and numbered, with
lingering relish, with cruel cunning and precision. A young
friend of Mr. Meredith's (as I have the story) came to him in
an agony. 'This is too bad of you,' he cried. 'Willoughby
is me!' 'No, my dear fellow,' said the author; 'he is all of
us.'
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