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Today's Stichomancy for Toni Braxton

The first excerpt represents the past or something you must release, and is drawn from The Two Noble Kinsmen by William Shakespeare:

Deare love, but losse of deare love!

THESEUS.

Never Fortune Did play a subtler Game: The conquerd triumphes, The victor has the Losse: yet in the passage The gods have beene most equall: Palamon, Your kinseman hath confest the right o'th Lady Did lye in you, for you first saw her, and Even then proclaimd your fancie: He restord her As your stolne Iewell, and desir'd your spirit To send him hence forgiven; The gods my justice

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Emma McChesney & Co. by Edna Ferber:

were American business men--salesmen, some of them, promoters others, or representatives of big syndicates shrewd, alert, well dressed, smooth shaven. Emma McChesney knew that she would gain valuable information from many of them before the trip was over. She sighed a little regretfully as she thought of those smoking-room talks--those intimate, tobacco-mellowed business talks from which she would be barred by her sex.

There were two engineers, one British, one American, both very intelligent-looking, both inclined to taciturnity, as is often the case in men of their profession. They walked a good deal, and smoked nut-brown, evil-smelling pipes, and stared


Emma McChesney & Co.
The third excerpt represents the future or something you must embrace, and is drawn from The Unseen World and Other Essays by John Fiske:

the weight of a heavy man. Some of us still preserve, as heirlooms, old tables and bedsteads of Cromwellian times: in the twenty-first century what will have become of our machine-made bedsteads and tables?

Perhaps it may seem odd to talk about tanning and joinery in connection with culture, but indeed there is a subtle bond of union holding together all these things. Any phase of life can be understood only by associating with it some different phase. Sokrates himself has taught us how the homely things illustrate the grand things. If we turn to the art of musical composition and inquire into some of the differences between our recent music


The Unseen World and Other Essays