| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Call of the Wild by Jack London: quietly where he had fallen. The lash bit into him again and
again, but he neither whined nor struggled. Several times
Thornton started, as though to speak, but changed his mind. A
moisture came into his eyes, and, as the whipping continued, he
arose and walked irresolutely up and down.
This was the first time Buck had failed, in itself a sufficient
reason to drive Hal into a rage. He exchanged the whip for the
customary club. Buck refused to move under the rain of heavier
blows which now fell upon him. Like his mates, he barely able to
get up, but, unlike them, he had made up his mind not to get up.
He had a vague feeling of impending doom. This had been strong
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Seraphita by Honore de Balzac: systems? Do we not find in him material things and spiritual things?
None but a madman can refuse to see in the human body a fragment of
Matter; your natural sciences, when they decompose it, find little
difference between its elements and those of other animals. On the
other hand, the idea produced in man by the comparison of many objects
has never seemed to any one to belong to the domain of Matter. As to
this, I offer no opinion. I am now concerned with your doubts, not
with my certainties. To you, as to the majority of thinkers, the
relations between things, the reality of which is proved to you by
your sensations and which you possess the faculty to discover, do not
seem Material. The Natural universe of things and beings ends, in man,
 Seraphita |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Nada the Lily by H. Rider Haggard: We marched from the kraal, none hindering us, for there were none to
hinder, and after we had gone a little way Umslopogaas halted and
said:--
"Now it is in my mind to return whence we came and slay this Dingaan,
ere he slay me."
"Yet it is well to leave a frightened lion in his thicket, my son, for
a lion at bay is hard to handle. Doubt not that every man, young and
old, in Umgugundhlovu now stands armed about the gates, lest such a
thought should take you, my son; and though just now he was afraid,
yet Dingaan will strike for his life. When you might have killed you
did not kill; now the hour has gone."
 Nada the Lily |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James: night-mail to Paris. He had had a telegram from Gwendolen Erme in
answer to his letter offering to fly to her aid. I knew already
about Gwendolen Erme; I had never seen her, but I had my ideas,
which were mainly to the effect that Corvick would marry her if her
mother would only die. That lady seemed now in a fair way to
oblige him; after some dreadful mistake about a climate or a "cure"
she had suddenly collapsed on the return from abroad. Her
daughter, unsupported and alarmed, desiring to make a rush for home
but hesitating at the risk, had accepted our friend's assistance,
and it was my secret belief that at sight of him Mrs. Erme would
pull round. His own belief was scarcely to be called secret; it
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