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Today's Stichomancy for Tupac Shakur

The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum:

Jack was wearing a newly made Pumpkin-head and the Scarecrow had recently been stuffed with fresh straw. Tik-Tok's machinery was in good running order and the Tin Woodman always was well oiled.

"It is quite a long journey," said Glinda, "and while I might travel quickly to the Skeezer country by means of my stork chariot the rest of you will be obliged to walk. So, as we must keep together, I will send my chariot back to my castle and we will plan to leave the Emerald City at sunrise to-morrow."

Chapter Fifteen


Glinda of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Boys' Life of Abraham Lincoln by Helen Nicolay:

legislature has taught him how the business of making laws is carried on. He must find out what has been done and is likely to be done on a multitude of subjects new to him, must make the acquaintance of his fellow-members, must visit the departments of government almost daily to look after the interests of people from his State and congressional district. Legally he is elected for a term of two years. Practically a session of five or six months during the first year, and of three months during the second, further reduce his opportunities more than one-half.

Lincoln did not attempt to shine forth in debate, either by a stinging retort, or burst of inspired eloquence. He went about

The third excerpt represents the future or something you must embrace, and is drawn from Phaedrus by Plato:

he urges them on, and will scarce yield to their prayer that he would wait until another time. When the appointed hour comes, they make as if they had forgotten, and he reminds them, fighting and neighing and dragging them on, until at length he on the same thoughts intent, forces them to draw near again. And when they are near he stoops his head and puts up his tail, and takes the bit in his teeth and pulls shamelessly. Then the charioteer is worse off than ever; he falls back like a racer at the barrier, and with a still more violent wrench drags the bit out of the teeth of the wild steed and covers his abusive tongue and jaws with blood, and forces his legs and haunches to the ground and punishes him sorely. And when this has happened several times and the villain has ceased from