| The first excerpt represents the past or something you must release, and is drawn from Youth by Joseph Conrad: have. It is the sea that gives it--the vastness, the lone-
liness surrounding their dark stolid souls. Ah! Well!
we stumbled, we crept, we fell, we barked our shins on
the wreckage, we hauled. The masts stood, but we did
not know how much they might be charred down below.
It was nearly calm, but a long swell ran from the west
and made her roll. They might go at any moment. We
looked at them with apprehension. One could not fore-
see which way they would fall.
"Then we retreated aft and looked about us. The
deck was a tangle of planks on edge, of planks on end,
 Youth |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vendetta by Honore de Balzac: "You will not get far," said his wife, calling after him.
As she spoke, the porte-cochere was opened and shut, and the old
mother heard the steps of her Ginevra in the court-yard. Bartolomeo
almost instantly reappeared, carrying his daughter, who struggled in
his arms.
CHAPTER IV
LOVE
"Here she is, my Ginevra, Ginevrettina, Ginevrola, mia Ginevra bella!"
cried the old man.
"Oh, father, you hurt me!"
Instantly Ginevra was put down with an air of respect. She nodded her
|
The third excerpt represents the future or something you must embrace, and is drawn from A Pair of Blue Eyes by Thomas Hardy: subject at that stage. 'Well, when Nat had struck some half-dozen
blows more upon the pile, 'a stopped for a second or two. John,
thinking he had done striking, put his hand upon the top o' the
pile to gie en a pull, and see if 'a were firm in the ground.' Mr.
Cannister spread his hand over the top of the stick, completely
covering it with his palm. 'Well, so to speak, Nat hadn't maned
to stop striking, and when John had put his hand upon the pile,
the beetle----'
'Oh dreadful!' said Elfride.
'The beetle was already coming down, you see, sir. Nat just
caught sight of his hand, but couldn't stop the blow in time.
 A Pair of Blue Eyes |