| The first excerpt represents the past or something you must release, and is drawn from The Time Machine by H. G. Wells: the tangle of rhododendron bushes, black in the pale light, and
there was the little lawn. I looked at the lawn again. A queer
doubt chilled my complacency. "No," said I stoutly to myself,
"that was not the lawn."
`But it WAS the lawn. For the white leprous face of the
sphinx was towards it. Can you imagine what I felt as this
conviction came home to me? But you cannot. The Time Machine
was gone!
`At once, like a lash across the face, came the possibility of
losing my own age, of being left helpless in this strange new
world. The bare thought of it was an actual physical sensation.
 The Time Machine |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from United States Declaration of Independence: In every stage of these Oppressions We have Petitioned for Redress
in the most humble terms: Our repeated Petitions have been answered
only by repeated injury. A Prince, whose character is thus marked
by every act which may define a Tyrant, is unfit to be the ruler
of a free People.
Nor have We been wanting in attention to our British brethren.
We have warned them from time to time of attempts by their
legislature to extend an unwarrantable jurisdiction over us.
We have reminded them of the circumstances of our emigration and
settlement here. We have appealed to their native justice
and magnanimity, and we have conjured them by the ties of our
 United States Declaration of Independence |
The third excerpt represents the future or something you must embrace, and is drawn from The Works of Samuel Johnson by Samuel Johnson: animate my application.
Thus I lived for some years with complete
acquiescence in my own plan of conduct, rising early
to read, and dividing the latter part of the day
between economy, exercise, and reflection. But, in
time, I began to find my mind contracted and
stiffened by solitude. My ease and elegance were
sensibly impaired; I was no longer able to accommodate
myself with readiness to the accidental current
of conversation; my notions grew particular
and paradoxical, and my phraseology formal and
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