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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In a German Pension by Katherine Mansfield:

Japanese collection of pictures--and there is the beer! You do not know what good beer is until you have been to Munchen. Why, I see fine ladies every afternoon, but fine ladies, I tell you, drinking glasses so high." He measured a good washstand pitcher in height, and I smiled.

"If I drink a great deal of Munchen beer I sweat so," said Herr Hoffmann. "When I am here, in the fields or before my baths, I sweat, but I enjoy it; but in the town it is not at all the same thing."

Prompted by the thought, he wiped his neck and face with his dinner napkin and carefully cleaned his ears.

A glass dish of stewed apricots was placed upon the table.

"Ah, fruit!" said Fraulein Stiegelauer, "that is so necessary to health.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Treatise on Parents and Children by George Bernard Shaw:

the statuary tribute of having their corpses stuffed.

And it really all comes from the habit of preventing children from being troublesome. You are so careful of your boy's morals, knowing how troublesome they may be, that you keep him away from the Venus of Milo only to find him in the arms of the scullery maid or someone much worse. You decide that the Hermes of Praxiteles and Wagner's Tristan are not suited for young girls; and your daughter marries somebody appallingly unlike either Hermes or Tristan solely to escape from your parental protection. You have not stifled a single passion nor averted a single danger: you have depraved the passions by starving them, and broken down all the defences which so effectively protect

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Glimpses of the Moon by Edith Wharton:

Bockheimer's motor!" She did not know why, but this seemed to her the most humiliating incident in the whole hateful business. She remembered Nick's reluctance to use the motor-she remembered his look when she had boasted of her "managing." The nausea mounted to her throat.

Strefford burst out laughing. "I say--you borrowed their motor? And you didn't know whose it was?"

"How could I know? I persuaded the chauffeur ... for a little tip .... It was to save our railway fares to Milan ... extra luggage costs so frightfully in Italy ...."

"Good old Susy! Well done! I can see you doing it--"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Love and Friendship by Jane Austen:

admire the noble Grandeur of the Elms which sheltered us from the Eastern Zephyr. "Alas! my Laura (returned she) avoid so melancholy a subject, I intreat you. Do not again wound my Sensibility by observations on those elms. They remind me of Augustus. He was like them, tall, magestic--he possessed that noble grandeur which you admire in them."

I was silent, fearfull lest I might any more unwillingly distress her by fixing on any other subject of conversation which might again remind her of Augustus.

"Why do you not speak my Laura? (said she after a short pause) "I cannot support this silence you must not leave me to my own


Love and Friendship