Today's Stichomancy for Vidal Sassoon

warned in time of the danger which threatens them."

"It is clearly the duty of the authorities, Mr. Ward," responded I, "to learn what is going on within there."

"True, Strock; but that presents great difficulties. Everyone reports that it is impossible to scale the precipices of the Great Eyrie and reach its interior. But has anyone ever attempted it with scientific appliances and under the best conditions? I doubt it, and believe a resolute attempt may bring success."

"Nothing is impossible, Mr. Ward; what we face here is merely a question of expense."

"We must not regard expense when we are seeking to reassure an entire

pitch. The note was about two feet below the lowest G on the piano. Now, you can't put New York into a note unless it's better indorsed than that. But give me an idea of what it would say if it should speak. It is bound to be a mighty and far-reaching utterance. To arrive at it we must take the tremendous crash of the chords of the day's traffic, the laughter and music of the night, the solemn tones of Dr. Parkhurst, the rag-time, the weeping, the stealthy bum of cab-wbeels, the shout of the press agent, the tinkle of fountains on the roof gardens, the hullabaloo of the strawberry

The Voice of the City

cook. Before my father's marriage he had a salary of five rubles a month; but when my mother arrived, she raised him to six, at which rate he continued the rest of his days; that is, till somewhere about the end of the eighties. He was succeeded in the kitchen by his son, Semyon Nikoláyevitch, my mother's godson, and this worthy and beloved man, companion of my childish games, still lives with us to this day. Under my mother's supervision he prepared my father's vegetarian diet with affectionate zeal, and without him my father would very likely never have lived to the ripe old age he did. Agáfya Mikháilovna was an old woman who lived

the mind. In general the greater the intension the less the extension of them. The simplest sensation implies some relation of objects to one another, some position in space, some relation to a previous or subsequent sensation. The acts of seeing and hearing may be almost unconscious and may pass away unnoted; they may also leave an impression behind them or power of recalling them. If, after seeing an object we shut our eyes, the object remains dimly seen in the same or about the same place, but with form and lineaments half filled up. This is the simplest act of memory. And as we cannot see one thing without at the same time seeing another, different objects hang together in recollection, and when we call for one the other quickly follows. To think of the place in which we have last