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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the past or something you must release, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

after the cries for help were heard, and that their evidence, taken with certain circumstantial evidence which he would call to the court's attention to, would in his opinion convince the court that there was still one person concerned in this crime who had not yet been found, and also that a stay of proceedings ought to be granted, in justice to his clients, until that person should be discovered. As it was late, he would ask leave to defer the examination of his three witnesses until the next morning.

The crowd poured out of the place and went flocking away in excited groups and couples, taking the events of the session over with vivacity and consuming interest, and everybody seemed to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Polly of the Circus by Margaret Mayo:

dreamily, "the elephants huge as mountains, the great calliope wafted my soul to the very skies, and I followed that parade right into the circus lot."

"Did you seed inside de tent?" Willie asked, eagerly.

"I didn't have enough money for that," Douglas answered, frankly. He turned to the small boy and pinched his ear. There was sad disappointment in the youngster's face, but he brightened again, when the parson confessed that he "peeped."

"A parson peeping!" cried the thin-lipped Miss Perkins.

"I was not a parson then," corrected Douglas, good-naturedly.

"You were GOING to be," persisted the spinster.

The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

description of the whole of the industrial ideal. It's the factory-owner's ideal in a nut-shell; except that he would deny that the driving power was hate. Hate it is, all the same; hate of life itself. Just look at these Midlands, if it isn't plainly written up...but it's all part of the life of the mind, it's a logical development.'

'I deny that Bolshevism is logical, it rejects the major part of the premisses,' said Hammond.

'My dear man, it allows the material premiss; so does the pure mind...exclusively.'

'At least Bolshevism has got down to rock bottom,' said Charlie.


Lady Chatterley's Lover