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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Verses 1889-1896 by Rudyard Kipling:

And Tomlinson took up his tale and spoke of his good in life. "This I have read in a book," he said, "and that was told to me, And this I have thought that another man thought of a Prince in Muscovy." The good souls flocked like homing doves and bade him clear the path, And Peter twirled the jangling keys in weariness and wrath. "Ye have read, ye have heard, ye have thought," he said, "and the tale is yet to run: By the worth of the body that once ye had, give answer -- what ha' ye done?" Then Tomlinson looked back and forth, and little good it bore, For the Darkness stayed at his shoulder-blade and Heaven's Gate before: -- "O this I have felt, and this I have guessed, and this I have heard men say,


Verses 1889-1896
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato:

departing glory of Hellas. As well might we complain of St. Augustine, whose great work 'The City of God' originated in a similar motive, for not being loyal to the Roman Empire. Even a nearer parallel might be afforded by the first Christians, who cannot fairly be charged with being bad citizens because, though 'subject to the higher powers,' they were looking forward to a city which is in heaven.

2. The idea of the perfect State is full of paradox when judged of according to the ordinary notions of mankind. The paradoxes of one age have been said to become the commonplaces of the next; but the paradoxes of Plato are at least as paradoxical to us as they were to his contemporaries. The modern world has either sneered at them as absurd, or denounced them as


The Republic
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great God Pan by Arthur Machen:

"Yes. It was Mrs. Beaumont's."

"Villiers! Think what you are saying; there must be some mistake. How could Crashaw be in Mrs. Beaumont's house at two o'clock in the morning? Surely, surely, you must have been dreaming, Villiers; you were always rather fanciful."

"No; I was wide awake enough. Even if I had been dreaming as you say, what I saw would have roused me effectually."

"What you saw? What did you see? Was there anything strange about Crashaw? But I can't believe it; it is impossible."


The Great God Pan
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of Unrest by Joseph Conrad:

fierce loyalty that surrounded him, was inexplicable. He was there alone in the midst of devoted men; he was safe from neighbourly ambushes, from fraternal ambitions; and yet more than one of our visitors had assured us that their ruler could not bear to be alone. They said, "Even when he eats and sleeps there is always one on the watch near him who has strength and weapons." There was indeed always one near him, though our informants had no conception of that watcher's strength and weapons, which were both shadowy and terrible. We knew, but only later on, when we had heard the story. Meantime we noticed that, even during the most important interviews, Karain would often give a start, and interrupting his discourse, would sweep his


Tales of Unrest