| The first excerpt represents the past or something you must release, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau: was to see my native village in the light of the Middle
Ages, and our Concord was turned into a Rhine stream, and
visions of knights and castles passed before me. They were
the voices of old burghers that I heard in the streets. I
was an involuntary spectator and auditor of whatever was
done and said in the kitchen of the adjacent village inn--a
wholly new and rare experience to me. It was a closer view
of my native town. I was fairly inside of it. I never had
seen its institutions before. This is one of its peculiar
institutions; for it is a shire town. I began to comprehend
what its inhabitants were about.
 On the Duty of Civil Disobedience |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Last War: A World Set Free by H. G. Wells: laboratories of the Carnegie Foundation school that rose, a long
and delicately beautiful facade, along the South Bank of the
Thames opposite the ancient dignity of Somerset House. Such
thought was interwoven with the very fabric of that pioneer
school in the educational renascence in England. After the
customary exchange years in Heidelberg and Paris, he went into
the classical school of London University. The older so-called
'classical' education of the British pedagogues, probably the
most paralysing, ineffective, and foolish routine that ever
wasted human life, had already been swept out of this great
institution in favour of modern methods; and he learnt Greek and
 The Last War: A World Set Free |
The third excerpt represents the future or something you must embrace, and is drawn from The Three Musketeers by Alexandre Dumas: "Am I, then, to remain here eternally?" demanded Milady, with a
certain terror.
"Do you find yourself badly lodged, sister? Demand anything you
want, and I will hasten to have you furnished with it."
"But I have neither my women nor my servants."
"You shall have all, madame. Tell me on what footing your
household was established by your first husband, and although I
am only your brother-in-law, I will arrange one similar."
"My first husband!" cried Milady, looking at Lord de Winter with
eyes almost starting from their sockets.
"Yes, your French husband. I don't speak of my brother. If you
 The Three Musketeers |