| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Maitre Cornelius by Honore de Balzac: religion, with its fine fanaticism, its naive superstitions, its
sublime devotions, which sympathized with those of Christianity.
The manners of that period will also serve to explain this alliance
between religion and love. In the first place society had no meeting-
place except before the altar. Lords and vassals, men and women were
equals nowhere else. There alone could lovers see each other and
communicate. The festivals of the Church were the theatre of former
times; the soul of woman was more keenly stirred in a cathedral than
it is at a ball or the opera in our day; and do not strong emotions
invariably bring women back to love? By dint of mingling with life and
grasping it in all its acts and interests, religion had made itself a
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Garden Party by Katherine Mansfield: their heads in hideous caps like sponge bags; then the children were
unbuttoned. The beach was strewn with little heaps of clothes and shoes;
the big summer hats, with stones on them to keep them from blowing away,
looked like immense shells. It was strange that even the sea seemed to
sound differently when all those leaping, laughing figures ran into the
waves. Old Mrs. Fairfield, in a lilac cotton dress and a black hat tied
under the chin, gathered her little brood and got them ready. The little
Trout boys whipped their shirts over their heads, and away the five sped,
while their grandma sat with one hand in her knitting-bag ready to draw out
the ball of wool when she was satisfied they were safely in.
The firm compact little girls were not half so brave as the tender,
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