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Today's Stichomancy for Voltaire

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

and they are never anything but pink."

"I have that somewhere," said Minora, turning over her notes.

"But, after all, babies are not a German speciality," said Irais, "and I don't quite see why you should bring them into a book of German travels. Elizabeth's babies have each got the fashionable number of arms and legs, and are exactly the same as English ones."

"Oh, but they can't be just the same, you know," said Minora, looking worried. "It must make a difference living here in this place, and eating such odd things, and never having a doctor, and never being ill. Children who have never had measles and those things can't


Elizabeth and her German Garden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

Its effect upon me was to make me in many respects adolescent again. It made me keener upon the point of honour, and anxious and eager to do high and splendid things, and in particular, brave things. So far it ennobled and upheld me. But it did also push me towards vulgar and showy things. At bottom it was disingenuous; it gave my life the quality of stage scenery, with one side to the audience, another side that wasn't meant to show, and an economy of substance. It certainly robbed my work of high patience and quality. I cut down the toil of research in my eagerness and her eagerness for fine flourishes in the air, flights that would tell. I shirked the longer road.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shakespeare's Sonnets by William Shakespeare:

Save that my soul's imaginary sight Presents thy shadow to my sightless view, Which, like a jewel (hung in ghastly night, Makes black night beauteous, and her old face new. Lo! thus, by day my limbs, by night my mind, For thee, and for myself, no quiet find.

XXVIII

How can I then return in happy plight, That am debarre'd the benefit of rest? When day's oppression is not eas'd by night, But day by night and night by day oppress'd,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Fanny Herself by Edna Ferber:

deal--rather difficult mountains, evidently, from the fuss they made over it. A queer enough occupation for a cowardy- cat. There had been a book, too. About the Rockies. She had not read it. She rather disliked these nature books, as do most nature lovers. She told herself that when she came upon a flaming golden maple in October she was content to know it was a maple, and to warm her soul at its blaze.

There had been something in the Chicago Herald, though-- oh, yes; it had spoken of him as the brilliant young naturalist, Clarence Heyl. He was to have gone on an


Fanny Herself