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Today's Stichomancy for Voltaire

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Allan Quatermain by H. Rider Haggard:

to say that I was not implicated in these proceedings; neither of them gave me her hand to kiss.

Then Nyleptha turned and addressed the man who appeared to be in command of the bodyguard, apparently from her manner and his frequent obeisances, giving him very stringent and careful orders; after which, with a somewhat coquettish nod and smile, she left the hall, followed by Sorais and most of the guards.

When the Queens had gone, the officer whom Nyleptha had addressed came forward and with many tokens of deep respect led us from the hall through various passages to a sumptuous set of apartments opening out of a large central room lighted with brazen swinging


Allan Quatermain
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

Not far off from the beating of the waves, Behind which in his long career the sun Sometimes conceals himself from every man,

Is situate the fortunate Calahorra, Under protection of the mighty shield In which the Lion subject is and sovereign.

Therein was born the amorous paramour Of Christian Faith, the athlete consecrate, Kind to his own and cruel to his foes;

And when it was created was his mind Replete with such a living energy,


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Vendetta by Honore de Balzac:

"Oh, mother!" cried Ginevra, deeply moved.

She felt the impulse to rush home, to breathe the blessed air of her father's house, to fling herself at his feet, to see her mother. She was springing forward to accomplish this wish, when Luigi entered. At the mere sight of him her filial emotion vanished; her tears were stopped, and she no longer had the strength to abandon that loving and unfortunate youth. To be the sole hope of a noble being, to love him and then abandon him!--that sacrifice is the treachery of which young hearts are incapable. Ginevra had the generosity to bury her own grief and suffering silently in her soul.

The marriage day arrived. Ginevra had no friend with her. While she

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

he began to hate the dull benevolence of the average face. Once or twice, obscurely, allusively, he made a beginning--once sitting down at a man's side in a basement chop-house, another day approaching a lounger on an east-side wharf. But in both cases the premonition of failure checked him on the brink of avowal. His dread of being taken for a man in the clutch of a fixed idea gave him an unnatural keenness in reading the expression of his interlocutors, and he had provided himself in advance with a series of verbal alternatives, trap-doors of evasion from the first dart of ridicule or suspicion.

He passed the greater part of the day in the streets, coming home