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Today's Stichomancy for W. C. Fields

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from In the Cage by Henry James:

out. "All day? Yes, we do feed once. But that was long ago. So I must presently say good-bye."

"Oh deary ME!" he exclaimed with an intonation so droll and yet a touch so light and a distress so marked--a confession of helplessness for such a case, in short, so unrelieved--that she at once felt sure she had made the great difference plain. He looked at her with the kindest eyes and still without saying what she had known he wouldn't. She had known he wouldn't say "Then sup with ME!" but the proof of it made her feel as if she had feasted.

"I'm not a bit hungry," she went on.

"Ah you MUST be, awfully!" he made answer, but settling himself on

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Youth by Joseph Conrad:

"'I thought you were a shore-boat. Now, look here-- this infernal lazy scoundrel of a caretaker has gone to sleep again--curse him. The light is out, and I nearly ran foul of the end of this damned jetty. This is the third time he plays me this trick. Now, I ask you, can anybody stand this kind of thing? It's enough to drive a man out of his mind. I'll report him. . . . I'll get the Assistant Resident to give him the sack, by . . . See-- there's no light. It's out, isn't it? I take you to witness the light's out. There should be a light, you know. A red light on the--'


Youth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Two Poets by Honore de Balzac:

explanation. . . . Suppose that young Rubempre had behaved foolishly, a woman's character ought not to be at the mercy of the first hare- brained boy who flings himself at her feet. That is what I have been saying."

Nais bowed in acknowledgment, and looked thoughtful. She was weary to disgust of provincial life. Chatelet had scarcely begun before her mind turned to Paris. Meanwhile Mme. de Bargeton's adorer found the silence somewhat awkward.

"Dispose of me, I repeat," he added.

"Thank you," answered the lady.

"What do you think of doing?"

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells:

and enriched.

London!

At first, no doubt, it was a chaos of streets and people and buildings and reasonless going to and fro. I do not remember that I ever struggled very steadily to understand it, or explored it with any but a personal and adventurous intention. Yet in time there has grown up in me a kind of theory of London; I do think I see lines of an ordered structure out of which it has grown, detected a process that is something more than a confusion of casual accidents though indeed it may be no more than a process of disease.