Today's Stichomancy for Walt Disney

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

circumstance, and pawed the ground gently, or yawed his neck for pastime. Mr. Uxbridge folded his arms and raised his head to look seaward. It seemed to me as if he were about to address the jury. I had dropped so entirely from my observance of the landscape that I jumped when he resumed the bridle and turned his horse to come back. I slipped from my seat to look among the bushes, determined that he should not recognize me; but my attempt was a failure--he did not ride by the second time.

"Miss Huell!" And he jumped from his saddle, slipping his arm through the bridle.

"I am a runaway. What do you think of the Fugitive Slave Bill?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

as their ignorance. It is true, that in ages of imperfect civilization the government is frequently as wanting in the knowledge required to impose a despotism upon the people as the people are wanting in the knowledge required to shake it off; but the effect is not the same on both sides. However rude a democratic people may be, the central power which rules it is never completely devoid of cultivation, because it readily draws to its own uses what little cultivation is to be found in the country, and, if necessary, may seek assistance elsewhere. Hence, amongst a nation which is ignorant as well as democratic, an amazing difference cannot fail speedily to arise between the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

in all these strangers' eyes. They paused there but to pass: the blue-clad China-boy, the San Francisco magnate, the mystery in the dust coat, the secret memoirs in tweed, the ogling, well-shod lady with her troop of girls; they did but flash and go; they were hull-down for us behind life's ocean, and we but hailed their topsails on the line. Yet, out of our great solitude of four and twenty mountain hours, we thrilled to their momentary presence gauged and divined them, loved and hated; and stood light-headed in that storm of human electricity. Yes, like Piccadilly circus, this is also one of life's crossing-places. Here I beheld one man,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan the Untamed by Edgar Rice Burroughs:

of the dance where they had dropped it to watch their king slay the foolish Tarmangani.

It was then that Go-lat raised his head and slowly crawled to his feet. Tarzan approached him. "I am Tarzan of the Apes," he cried. "Shall Tarzan dance the Dum-Dum with his brothers now, or shall he kill first?"

Go-lat raised his bloodshot eyes to the face of the Tar- mangani. "Kagoda!" he cried "Tarzan of the Apes will dance the Dum-Dum with his brothers and Go-lat will dance with him!"

And then the girl in the tree saw the savage man leaping, bending, and stamping with the savage apes in the ancient

Tarzan the Untamed