| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchess of Padua by Oscar Wilde: [Goes to the table and takes the goblet up.] What, art thou empty?
[Throws it to the ground.]
O thou churlish gaoler,
Even of poisons niggard!
DUCHESS
[faintly]
Blame him not.
GUIDO
O God! you have not drunk it, Beatrice?
Tell me you have not?
DUCHESS
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ion by Plato: to which the Muse impels them, and that only; and when inspired, one of
them will make dithyrambs, another hymns of praise, another choral strains,
another epic or iambic verses--and he who is good at one is not good at any
other kind of verse: for not by art does the poet sing, but by power
divine. Had he learned by rules of art, he would have known how to speak
not of one theme only, but of all; and therefore God takes away the minds
of poets, and uses them as his ministers, as he also uses diviners and holy
prophets, in order that we who hear them may know them to be speaking not
of themselves who utter these priceless words in a state of
unconsciousness, but that God himself is the speaker, and that through them
he is conversing with us. And Tynnichus the Chalcidian affords a striking
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Pair of Blue Eyes by Thomas Hardy: corresponding together, in a way I don't at all approve of--in a
most unseemly way. You should have known how improper such
conduct is. A woman can't be too careful not to be seen alone
with I-don't-know-whom.'
'You saw us, papa, and have never said a word.'
'My fault, of course; my fault. What the deuce could I be
thinking of! He, a villager's son; and we, Swancourts, connections
of the Luxellians. We have been coming to nothing for centuries,
and now I believe we have got there. What shall I next invite
here, I wonder!'
Elfride began to cry at this very unpropitious aspect of affairs.
A Pair of Blue Eyes |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: time, find more than four-and-twenty hours in the day and night, waste
themselves, slay themselves, and purchase two years of unhealthy
repose with thirty years of old age. Only, the working-man dies in
hospital when the last term of his stunted growth expires; whereas the
man of the middle class is set upon living, and lives on, but in a
state of idiocy. You will meet him, with his worn, flat old face, with
no light in his eyes, with no strength in his limbs, dragging himself
with a dazed air along the boulevard--the belt of his Venus, of his
beloved city. What was his want? The sabre of the National Guard, a
permanent stock-pot, a decent plot in Pere Lachaise, and, for his old
age, a little gold honestly earned. /HIS/ Monday is on Sunday, his
The Girl with the Golden Eyes |
