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Today's Stichomancy for Werner Heisenberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herbert West: Reanimator by H. P. Lovecraft:

he looked half-covetously at any very healthy living physique.

It was in July, 1910, that the bad luck regarding specimens began to turn. I had been on a long visit to my parents in Illinois, and upon my return found West in a state of singular elation. He had, he told me excitedly, in all likelihood solved the problem of freshness through an approach from an entirely new angle -- that of artificial preservation. I had known that he was working on a new and highly unusual embalming compound, and was not surprised that it had turned out well; but until he explained the details I was rather puzzled as to how such a compound could help in our work, since the objectionable staleness of the specimens was largely


Herbert West: Reanimator
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Venus and Adonis by William Shakespeare:

An oven that is stopp'd, or river stay'd, Burneth more hotly, swelleth with more rage: 332 So of concealed sorrow may be said; Free vent of words love's fire doth assuage; But when the heart's attorney once is mute The client breaks, as desperate in his suit. 336

He sees her coming, and begins to glow,-- Even as a dying coal revives with wind,-- And with his bonnet hides his angry brow; Looks on the dull earth with disturbed mind, 340 Taking no notice that she is so nigh,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twenty Years After by Alexandre Dumas:

room where ten minutes before Mordaunt had been talking to Cromwell.

Porthos came up behind, and unhooking the lamp on the staircase relit that in the room. Athos and Aramis entered last and locked the door behind them.

"Oblige me by taking a seat," said D'Artagnan, pushing a chair toward Mordaunt, who sat down, pale but calm. Aramis, Porthos and D'Artagnan drew their chairs near him. Athos alone kept away and sat in the furthest corner of the room, as if determined to be merely a spectator of the proceedings. He seemed to be quite overcome. Porthos rubbed


Twenty Years After
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad:

herself, locked within her breast. She shrank from Nina as she would have shrunk from the sharp blade of a knife cutting into her flesh, but she kept on visiting the brig to feed her dumb, ignorant soul on her own despair. She saw Dain many times. He never spoke, he never looked. Could his eyes see only one woman's image? Could his ears hear only one woman's voice? He never noticed her; not once.

And then he went away. She saw him and Nina for the last time on that morning when Babalatchi, while visiting his fish baskets, had his suspicions of the white man's daughter's love affair with Dain confirmed beyond the shadow of doubt. Dain disappeared, and


Almayer's Folly