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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Fables by Robert Louis Stevenson:

underneath his arm. The sound of his pipe was like singing wasps, and like the wind that sings in windlestraw; and it took hold upon men's ears like the crying of gulls.

"Are you the comer?" quoth the King's daughter of Duntrine.

"I am the corner," said he, "and these are the pipes that a man may hear, and I have power upon the hour, and this is the song of the morrow." And he piped the song of the morrow, and it was as long as years; and the nurse wept out aloud at the hearing of it.

"This is true," said the King's daughter, "that you pipe the song of the morrow; but that ye have power upon the hour, how may I know that? Show me a marvel here upon the beach, between the waves and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Captain Stormfield by Mark Twain:

lack?"

"Lack! Why, I lack my harp, and my wreath, and my halo, and my hymn-book, and my palm branch - I lack everything that a body naturally requires up here, my friend."

Puzzled? Peters, he was the worst puzzled man you ever saw. Finally he says -

"Well, you seem to be a curiosity every way a body takes you. I never heard of these things before."

I looked at the man awhile in solid astonishment; then I says -

"Now, I hope you don't take it as an offence, for I don't mean any, but really, for a man that has been in the Kingdom as long as I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Extracts From Adam's Diary by Mark Twain:

the Serpent informed her that "chestnut" was a figurative term meaning an aged and mouldy joke. I turned pale at that, for I have made many jokes to pass the weary time, and some of them could have been of that sort, though I had honestly supposed that they were new when I made them. She asked me if I had made one just at the time of the catastrophe. I was obliged to admit that I had made one to myself, though not aloud. It was this. I was thinking about the Falls, and I said to myself, "How wonderful it is to see that vast body of water tumble down there!" Then in an instant a bright thought flashed into my head, and I let it fly, saying, "It would be a deal more wonderful to see it tumble up there!"--and I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sarrasine by Honore de Balzac:

her pores, for, the instant she touched the old man, she heard a cry like the noise made by a rattle. That shrill voice, if indeed it were a voice, escaped from a throat almost entirely dry. It was at once succeeded by a convulsive little cough like a child's, of a peculiar resonance. At that sound, Marianina, Filippo, and Madame de Lanty looked toward us, and their glances were like lightning flashes. The young woman wished that she were at the bottom of the Seine. She took my arm and pulled me away toward a boudoir. Everybody, men and women, made room for us to pass. Having reached the further end of the suite of reception-rooms, we entered a small semi-circular cabinet. My companion threw herself on a divan, breathing fast with terror, not