| The first excerpt represents the past or something you must release, and is drawn from The Octopus by Frank Norris: cantankerous; but brains! No doubt of that; brains to his boots.
One would like to see the man who could get ahead of him on a
deal. Twice he had been shot at, once from ambush on Osterman's
ranch, and once by one of his own men whom he had kicked from the
sacking platform of his harvester for gross negligence. At
college, he had specialised on finance, political economy, and
scientific agriculture. After his graduation (he stood almost at
the very top of his class) he had returned and obtained the
degree of civil engineer. Then suddenly he had taken a notion
that a practical knowledge of law was indispensable to a modern
farmer. In eight months he did the work of three years, studying
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Emma by Jane Austen: When the visit was returned, Emma made up her mind. She could then
see more and judge better. From Harriet's happening not to be
at Hartfield, and her father's being present to engage Mr. Elton,
she had a quarter of an hour of the lady's conversation to herself,
and could composedly attend to her; and the quarter of an hour quite
convinced her that Mrs. Elton was a vain woman, extremely well
satisfied with herself, and thinking much of her own importance;
that she meant to shine and be very superior, but with manners which
had been formed in a bad school, pert and familiar; that all her
notions were drawn from one set of people, and one style of living;
that if not foolish she was ignorant, and that her society would
Emma |
The third excerpt represents the future or something you must embrace, and is drawn from Euthydemus by Plato: all is, that this art and invention of yours has been so admirably
contrived by you, that in a very short time it can be imparted to any one.
I observed that Ctesippus learned to imitate you in no time. Now this
quickness of attainment is an excellent thing; but at the same time I would
advise you not to have any more public entertainments; there is a danger
that men may undervalue an art which they have so easy an opportunity of
acquiring; the exhibition would be best of all, if the discussion were
confined to your two selves; but if there must be an audience, let him only
be present who is willing to pay a handsome fee;--you should be careful of
this;--and if you are wise, you will also bid your disciples discourse with
no man but you and themselves. For only what is rare is valuable; and
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