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Today's Stichomancy for William Shakespeare

The first excerpt represents the past or something you must release, and is drawn from La Grenadiere by Honore de Balzac:

years old, the youngest apparently about eight) came to Tours to look for a house. She saw La Grenadiere and took it. Perhaps the distance from the town was an inducement to live there.

She made a bedroom of the drawing-room, gave the children the two rooms above, and the housekeeper slept in a closet behind the kitchen. The dining-room was sitting-room and drawing-room all in one for the little family. The house was furnished very simply but tastefully; there was nothing superfluous in it, and no trace of luxury. The walnut-wood furniture chosen by the stranger lady was perfectly plain, and the whole charm of the house consisted in its neatness and harmony with its surroundings.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tao Teh King by Lao-tze:

express the desire by the nameless simplicity.

Simplicity without a name Is free from all external aim. With no desire, at rest and still, All things go right as of their will.

PART II.

38. 1. (Those who) possessed in highest degree the attributes (of the Tao) did not (seek) to show them, and therefore they possessed them (in fullest measure). (Those who) possessed in a lower degree those attributes (sought how) not to lose them, and therefore they did not possess them (in fullest measure).

The third excerpt represents the future or something you must embrace, and is drawn from The Damnation of Theron Ware by Harold Frederic:

in illustrated papers or shop windows, and it occurred to him that some of the more marked contortions of Sister Soulsby's eyes--notably a trick she had of rolling them swiftly round and plunging them, so to speak, into an intent, yearning, one might almost say devouring, gaze at the speaker--were probably employed by eminent actresses like Ristori and Fanny Davenport.

The rest of Sister Soulsby was undoubtedly subordinated in interest to those eyes of hers. Sometimes her face seemed to be reviving temporarily a comeliness which had been constant in former days; then again it would


The Damnation of Theron Ware