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Today's Stichomancy for William Shakespeare

The first excerpt represents the past or something you must release, and is drawn from Babbitt by Sinclair Lewis:

Babbitt did not care to be seen talking with such a fanatic, but in all the Pullmans he could find no other acquaintance, and reluctantly he halted. Seneca Doane was a slight, thin-haired man, rather like Chum Frink except that he hadn't Frink's grin. He was reading a book called "The Way of All Flesh." It looked religious to Babbitt, and he wondered if Doane could possibly have been converted and turned decent and patriotic.

"Why, hello, Doane," he said.

Doane looked up. His voice was curiously kind. "Oh! How do, Babbitt."

"Been away, eh?"

"Yes, I've been in Washington."

"Washington, eh? How's the old Government making out?"

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Protagoras by Plato:

was spoken, they put into his hands the works of great poets, which he reads sitting on a bench at school; in these are contained many admonitions, and many tales, and praises, and encomia of ancient famous men, which he is required to learn by heart, in order that he may imitate or emulate them and desire to become like them. Then, again, the teachers of the lyre take similar care that their young disciple is temperate and gets into no mischief; and when they have taught him the use of the lyre, they introduce him to the poems of other excellent poets, who are the lyric poets; and these they set to music, and make their harmonies and rhythms quite familiar to the children's souls, in order that they may learn to be more gentle, and harmonious, and rhythmical, and so more fitted for speech

The third excerpt represents the future or something you must embrace, and is drawn from The Three Taverns by Edwin Arlington Robinson:

That will not let us wait. And we go on with none to tell us whether Or not we've each a tether Determining how fast or far we go; And it is well, since we must go together, That we are not to know.

If the old wrong and all its injured glamour Haunts you by day and gives your night no peace, You may as well, agreeably and serenely, Give the new wrong its lease; For should you nourish a too fervid yearning